Search results for “5+questions”

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The art of the narrative interview: Sequencing your story

The art of the narrative interview: Sequencing your story

A matrix of spreadsheets and physical calendars can help a writer organize notes, track scenes and visualize a story timeline
The art of the narrative interview: Finding the story's arc

The art of the narrative interview: Finding the story’s arc

To gather the goods for a successful narrative, a central focus of interviewing needs to track the journey of situation or event
The art of the narrative interview: Pre-interviewing for a successful pitch

The art of the narrative interview: Pre-interviewing for a successful pitch

A narrative journalist and nonfiction author shares how she pre-reports to find a viable story and a compelling central character
Effective editing: Navigating failures of the military's mental health system

Effective editing: Navigating failures of the military’s mental health system

A project annotation by Alexandra Zayas of ProPublica offers insights to how an editor sees story potential and guides reporters
Effective editing: Trust and Ted Lasso-style cheerleading

Effective editing: Trust and Ted Lasso-style cheerleading

For the ProPublica deputy managing editor Alexandra Zayas, emotional intelligence is as important as journalistic craft skills
An imprint of journalistic values

An imprint of journalistic values

The editor reflects on the lifelong lessons learned at a special time in a special newsroom
What happens to crime scene investigators who have to see the unseeable?

What happens to crime scene investigators who have to see the unseeable?

Nonfiction author Jay Kirk used time, openness and empathy for a New York Times Magazine profile of the Sandy Hook school shooting investigators
How a profile of a Kabul hotel became a profile of today's Afghanistan

How a profile of a Kabul hotel became a profile of today’s Afghanistan

Andreas Babst of Switzerland went behind-the-scenes of the fabled Intercontinental Hotel with two employees — one Talib, one not
The backstory of a book of backstories about stories 

The backstory of a book of backstories about stories 

Some masters of narrative nonfiction collaborate to publish an anthology of current classics started by their late friend, Matt Tullis
Effective editing: Mutual trust and knowing the heart of a story

Effective editing: Mutual trust and knowing the heart of a story

For the Washington Post's Lynda Robinson, "The goal is to say ‘yes’ as much as possible and ‘no’ as little as possible."