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"Why's This So Good?" No. 103: Michael Brick and "Dusk of the Drummer"

“Why’s This So Good?” No. 103: Michael Brick and “Dusk of the Drummer”

This is the second of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer who…
"Why's This So Good?" No. 102: Michael Brick and "A Hipster Quits Williamsburg"

“Why’s This So Good?” No. 102: Michael Brick and “A Hipster Quits Williamsburg”

This is the first of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer…
Annotation Tuesday! Jill Lepore and "The Prodigal Daughter"

Annotation Tuesday! Jill Lepore and “The Prodigal Daughter”

The historian and New Yorker writer on breaking her rule against writing personal essays and why journalists must use history with caution

Annotation Tuesday! Jenna Pirog on Virtual Reality in “The Displaced”

A good story transports its audience to the scene of the action. The classics of narrative nonfiction are memorable because they find the words that put the reader in the…

“Why’s This So Good?” No. 100: Susan Dominus and “Hana”

Refugee children usually appear in the news media because they’ve died in a shocking accident, or they’re seen as a threat to the social order or the security of a…
Best of Storyboard: Reader Favorites for 2014

Best of Storyboard: Reader Favorites for 2014

This year marked some major changes at Storyboard: new website, new editor and new narrative territory. Our most popular posts of 2014 reflect some timely– and timeless– themes. Most notable…
From index cards to interviews: Eight journalists on reporting and writing scenes

From index cards to interviews: Eight journalists on reporting and writing scenes

Nieman Storyboard's archive of lessons and advice from some of the most memorable narrative nonfiction
Michael Kruse & Bill Duryea: Lessons from a 16-year reporter-editor partnership

Michael Kruse & Bill Duryea: Lessons from a 16-year reporter-editor partnership

The journalists share how they supported and learned from each other at the Tampa Bay Times and Politico.
Finding your book's main characters

Finding your book’s main characters

Megan Greenwell's “Bad Company,” annotated. Plus: What makes dialogue work on the page?
Megan Greenwell on holding out for the once-in-a-lifetime book idea

Megan Greenwell on holding out for the once-in-a-lifetime book idea

The author of “Bad Company” on the merits of waiting until she was seized by an obsession and couldn’t let go