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The AP’s Kristen Gelineau, Ravi Nessman and Mary Rajkumar on the Saroo Brierley saga

Two AP reporters and an editor on three continents produced the story that we’ve chosen as our latest Notable Narrative. Kristen Gelineau (Sydney), Ravi Nessman (Delhi), and Mary Rajkumar (Miami; she’s the AP’s international enterprise editor) collaborated on the two-part…
Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

In “Question of a Lifetime,” our latest Notable Narrative, Arizona Republic features writer Jaimee Rose tells a moving story about her grandfather’s search for answers regarding a top-secret mission he…

Kiera Feldman on investigative narrative, trauma reporting, true believers and tricky description

In “Grace in Broken Arrow,” our newest Notable Narrative, Brooklyn-based freelancer Kiera Feldman unfurls an investigative story about child sex abuse and institutional accountability at a private evangelical Christian school outside of Tulsa,…
Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

We chose Wright Thompson’s ESPN.com piece “The Kid Who Wasn't There” as our latest Notable Narrative because the story added a chilling layer to the odd life story of Guerdwich…
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

America tends to get credit for adding narrative journalism to the literary canon. And there’s no doubt that the combination of timely reporting and timeless writing took on new and…
“Why’s this so good?” No. 32: Darcy Frey on the brink

“Why’s this so good?” No. 32: Darcy Frey on the brink

It’s been 16 years since I first read Darcy Frey’s piece about the overwhelming, stressful job of being an air traffic controller – 16 years since I first swore never to…
February Editors' Roundtable: The Milwaukee Journal Sentinel on patients' rights

February Editors’ Roundtable: The Milwaukee Journal Sentinel on patients’ rights

Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of…