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“Why’s this so good?” No. 22: Hank Stuever on 9-ish

“Why’s this so good?” No. 22: Hank Stuever on 9-ish

There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on…
Your brain on narrative: evolution and the story rope

Your brain on narrative: evolution and the story rope

“Our brains are hard-wired for story” is one common argument for why narrative is useful in journalism, in writing, in life. The phrase has always made me uncomfortable, because while…
Jessica Pressler on New York, “millennium girls” and the love story that wasn't

Jessica Pressler on New York, “millennium girls” and the love story that wasn't

This week's Editors' Roundtable dives into Jessica Pressler’s story “A Holly Golightly for the Stripper-Embezzlement Age,” from New York magazine. A contributing editor and blogger for New York since 2007, Pressler…

Michael Paterniti spins a fairy tale of loss and survival

Our latest Notable Narrative, “The Man Who Sailed His House,” tells the story of Hiromitsu Shinkawa, who was found floating alone on the roof of his home in the days…
Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Our latest Editors' Roundtable examines Dudley Clendinen's “The Good Short Life,” a career journalist's startling response to being diagnosed with ALS. In addition to two books (“A Place Called Canterbury”…
September Editors' Roundtable No. 2: The New York Times on facing death

September Editors' Roundtable No. 2: The New York Times on facing death

Our second Roundtable of September examines “The Good Short Life,” by Dudley Clendinen. Diagnosed with ALS, Clendinen reflects on the past suffering of those closest to him and decides that he would…
Story, interrupted: why we need new approaches to digital narrative

Story, interrupted: why we need new approaches to digital narrative

The way we tell stories in print has been mostly the same for some time now. Space constraints and graphic layout have made the narrative flow a broken one. With…
“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

In “Nobody Else is Jim Brown,” sportswriter Ralph Wiley constructs a profile of perhaps the greatest football player in NFL history, a man so legendary that the word legend actually applies.…
Gene Weingarten on journalistic ethics: two case studies from his career

Gene Weingarten on journalistic ethics: two case studies from his career

The final session of last month's Mayborn Literary Nonfiction Conference offered The Washington Post’s Gene Weingarten in conversation with Brian Sweany, deputy editor of Texas Monthly. Weingarten, who does a…
“Why’s this so good?” No. 7: Barry Siegel and the weight of consequences

“Why’s this so good?” No. 7: Barry Siegel and the weight of consequences

On a bright autumn morning, a man drives into the wilderness of the Utah mountains. As he arrives, the sun glows, the clouds float, the aspens glimmer in a passing…