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“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

In “Nobody Else is Jim Brown,” sportswriter Ralph Wiley constructs a profile of perhaps the greatest football player in NFL history, a man so legendary that the word legend actually applies.…
Gene Weingarten on journalistic ethics: two case studies from his career

Gene Weingarten on journalistic ethics: two case studies from his career

The final session of last month's Mayborn Literary Nonfiction Conference offered The Washington Post’s Gene Weingarten in conversation with Brian Sweany, deputy editor of Texas Monthly. Weingarten, who does a…
“Why’s this so good?” No. 7: Barry Siegel and the weight of consequences

“Why’s this so good?” No. 7: Barry Siegel and the weight of consequences

On a bright autumn morning, a man drives into the wilderness of the Utah mountains. As he arrives, the sun glows, the clouds float, the aspens glimmer in a passing…
A new way into an old story: Adam Hochschild on "To End All Wars"

A new way into an old story: Adam Hochschild on "To End All Wars"

Adam Hochschild, a longtime supporter of the Nieman Foundation’s narrative program, published a new book last month, “To End All Wars.” A former editor of Mother Jones magazine, Hochschild lives…
June Editors' Roundtable No. 2: The Seattle Times, a first pitch, and the Queen of Samoas

June Editors’ Roundtable No. 2: The Seattle Times, a first pitch, and the Queen of Samoas

We're fine-tuning our Editors’ Roundtable, moving toward more frequent postings and smaller groups of editors looking at each story. As part of those changes, today we highlight our second June…

Slow violence and environmental storytelling

Strategies to plot and give shape to formless threats whose fatal repercussions are dispersed across space and time

The power of place: Robert Caro on setting at the 2011 BIO Conference

“Show, don’t tell” is a mantra of narrative writers everywhere, but even the most useful adage can lose meaning with repetition. Before a lunchtime audience of writers at the Second…
Eliza Griswold on religion, violence and reporting

Eliza Griswold on religion, violence and reporting

We spoke last week with Eliza Griswold, winner of the 2011 J. Anthony Lukas Book Prize for “The Tenth Parallel: Dispatches from the Fault Line Between Christianity and Islam.” In…

The 2011 Pulitzer Prizes: a sampler of narrative winners

Yesterday afternoon Columbia University announced this year’s Pulitzer Prizes in New York. So many journalists and writers were waiting online for the magic moment that the befuddled Pulitzer site was…

Meanwhile, back at the ranch, part 2: setting

[This second installment in a four-part series on writing historical narratives focuses on the importance of setting and scenes in nonfiction storytelling. The series is based on a lecture given by…