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Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Our January Editors’ Roundtable looked at “After the battle, Mike Sword’s war within,” a story by Roanoke Times reporter Beth Macy about the death of an Air Force veteran in Virginia after…
Pamela Colloff on storytelling, justice and letting readers think for themselves

Pamela Colloff on storytelling, justice and letting readers think for themselves

Our latest Notable Narrative, the story of a mother convicted of killing her adopted son with salt, comes from Pamela Colloff of Texas Monthly.A two-time National Magazine Award finalist, Colloff…

When journalists become authors: a few cautionary tips

There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s…
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…

Chris Jones on reporting for detail, the case against outlining and the power of donuts

Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple…
“Why’s this so good?” No. 22: Hank Stuever on 9-ish

“Why’s this so good?” No. 22: Hank Stuever on 9-ish

There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on…
Your brain on narrative: evolution and the story rope

Your brain on narrative: evolution and the story rope

“Our brains are hard-wired for story” is one common argument for why narrative is useful in journalism, in writing, in life. The phrase has always made me uncomfortable, because while…
Jessica Pressler on New York, “millennium girls” and the love story that wasn't

Jessica Pressler on New York, “millennium girls” and the love story that wasn't

This week's Editors' Roundtable dives into Jessica Pressler’s story “A Holly Golightly for the Stripper-Embezzlement Age,” from New York magazine. A contributing editor and blogger for New York since 2007, Pressler…

Michael Paterniti spins a fairy tale of loss and survival

Our latest Notable Narrative, “The Man Who Sailed His House,” tells the story of Hiromitsu Shinkawa, who was found floating alone on the roof of his home in the days…
Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Our latest Editors' Roundtable examines Dudley Clendinen's “The Good Short Life,” a career journalist's startling response to being diagnosed with ALS. In addition to two books (“A Place Called Canterbury”…