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“Why’s this so good?” No. 75: Dan P. Lee and the father who lost everything

My estimable friend and former colleague Paul Kix recently wrote a column in this space on John Jeremiah Sullivan. In it he cited an essay Sullivan wrote about the art…
April 9, 2013
Annotation Tuesday! Ben Ehrenreich on the grim reaper, L.A. style

Annotation Tuesday! Ben Ehrenreich on the grim reaper, L.A. style

The subject of death has proven inexhaustible, from the Greeks to Hamlet to E.B. White's pig. In "The End," Ben Ehrenreich examines The Inevitable from an unexpected postmortem angle, and with a…
February 19, 2013

Annotation Tuesday! Amy Wallace on Garry Shandling

Reading Amy Wallace's profiles is like sitting around your favorite bar with your favorite super-witty friend and talking about people over cocktails: You come for the companionship and vibe, you…
February 5, 2013

"Why’s this so good?" No. 64: David Grann and Sherlock Holmes

There is a good reason tales of true crime make for great magazine writing. Or good procedural TV shows and movies. It's because the best stories of unsolved murders, missing…
October 23, 2012
David Finkel on winning the MacArthur "genius" grant

David Finkel on winning the MacArthur "genius" grant

David FinkelDavid Finkel of The Washington Post won a MacArthur “genius” grant this week for his body of long-form narrative journalism, particularly his coverage of the war in Iraq. In…
October 5, 2012
"What's on your syllabus?" Narrative professors on what stories and books they assign

“What’s on your syllabus?” Narrative professors on what stories and books they assign

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for…
September 20, 2012

"Why’s this so good?" No. 58: Scott Anderson and the hunger warriors

A tattered, stapled-together copy of Scott Anderson’s “The Hunger Warriors” now qualifies as one of my oldest and most treasured possessions. I distinctly remember snipping it out of the New…
September 11, 2012

“Why’s this so good?” No. 44: Robert Kurson and the blind man

My love affair with narrative nonfiction was in its early stages when I first read Robert Kurson’s “Into the Light,” in the June 2005 edition of Esquire. I was mostly…
May 29, 2012

“Why’s this so good?” No. 36: Alice Steinbach and one boy’s vision

I wish I had come to this assignment when Alice Steinbach was still alive. I could have thanked her one last time for writing “A Boy of Unusual Vision,” a…
April 3, 2012
Audio danger: stories from the edge of listening

Audio danger: stories from the edge of listening

[As part of our mission to look at storytelling in every medium, Storyboard is pleased to introduce Julia Barton, who will bring us several posts in 2012 focused on developments…
January 4, 2012