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February Editors' Roundtable: The Milwaukee Journal Sentinel on patients' rights

February Editors’ Roundtable: The Milwaukee Journal Sentinel on patients’ rights

Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of…
“Why’s this so good?” No. 29: Andrea Curtis and the rhythm of mercy

“Why’s this so good?” No. 29: Andrea Curtis and the rhythm of mercy

As a rule, I’m not one of those readers who flips ahead to the last few pages of an article or book before committing myself to reading it. I like…
Pamela Colloff on storytelling, justice and letting readers think for themselves

Pamela Colloff on storytelling, justice and letting readers think for themselves

Our latest Notable Narrative, the story of a mother convicted of killing her adopted son with salt, comes from Pamela Colloff of Texas Monthly.A two-time National Magazine Award finalist, Colloff…
“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

One drawer of my desk – the largest – contains a mound of stories, the best I’ve found in newspapers and magazines over the last 20 years. In addition, three or four…
December Editors’ Roundtable: Vanity Fair on U.S. money trouble

December Editors’ Roundtable: Vanity Fair on U.S. money trouble

Our last Roundtable of 2011 considers “California and Bust,” in which superstar business reporter Michael Lewis turns his keen eye away from analyzing European financial problems, looking instead toward the…
When journalists become authors: a few cautionary tips

When journalists become authors: a few cautionary tips

There's long-form narrative, and then there's book-length narrative. Both are "long," but a story that's 300 pages long is a different proposition, for both writer and reader, from one that's…
Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Our November Editors’ Roundtable looked at “Hecho en América,” a story by GQ correspondent Jeanne Marie Laskas about migrant blueberry pickers in Maine. Laskas’ work has been featured previously on this…
November Editors’ Roundtable: GQ's close-up on the people who bring you breakfast (and lunch, and dinner)

November Editors’ Roundtable: GQ’s close-up on the people who bring you breakfast (and lunch, and dinner)

Our November Roundtable looks at “Hecho en América,” by Jeanne Marie Laskas. Laskas immerses herself in the world of migrant workers picking blueberries in Washington County, Maine, and illuminates the…
“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

It’s hard to think of a single magazine piece that exerts as world-historical an influence upon its genre as Gay Talese’s “Frank Sinatra Has a Cold,” the 1966 Esquire profile…
Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

A soup-to-nuts look at narrative nonfiction, Jack Hart’s “Storycraft” breaks down different approaches to telling true stories and the components that make or break them. In writing the book, Hart…