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“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

One drawer of my desk – the largest – contains a mound of stories, the best I’ve found in newspapers and magazines over the last 20 years. In addition, three or four…
December Editors’ Roundtable: Vanity Fair on U.S. money trouble

December Editors’ Roundtable: Vanity Fair on U.S. money trouble

Our last Roundtable of 2011 considers “California and Bust,” in which superstar business reporter Michael Lewis turns his keen eye away from analyzing European financial problems, looking instead toward the…

When journalists become authors: a few cautionary tips

There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s…
Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Our November Editors’ Roundtable looked at “Hecho en América,” a story by GQ correspondent Jeanne Marie Laskas about migrant blueberry pickers in Maine. Laskas’ work has been featured previously on this…
November Editors’ Roundtable: GQ's close-up on the people who bring you breakfast (and lunch, and dinner)

November Editors’ Roundtable: GQ’s close-up on the people who bring you breakfast (and lunch, and dinner)

Our November Roundtable looks at “Hecho en América,” by Jeanne Marie Laskas. Laskas immerses herself in the world of migrant workers picking blueberries in Washington County, Maine, and illuminates the…
“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

It’s hard to think of a single magazine piece that exerts as world-historical an influence upon its genre as Gay Talese’s “Frank Sinatra Has a Cold,” the 1966 Esquire profile…

Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

A soup-to-nuts look at narrative nonfiction, Jack Hart’s “Storycraft” breaks down different approaches to telling true stories and the components that make or break them. In writing the book, Hart…

“Why’s this so good?" No. 16: David Foster Wallace on the vagaries of cruising

For seven days and seven nights in mid-March of 1995, David Foster Wallace took a cruise. He did not have a very good time. The results of the voyage are…
“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

Freed from the captivity of home cookery and the rarefied practice of restaurant criticism, food is now a legitimate lens for thoughtful cultural journalism. It’s also a massive revenue generator…

September Editors’ Roundtable No. 1: The Virginian-Pilot on saving soldiers in Afghanistan

Our first Roundtable of September examines “A Chance in Hell,” by Corinne Reilly. Visiting a combat hospital in Kandahar, Afghanistan, Reilly shows the endless challenges of trauma medicine just a helicopter…