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Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Guest-curating our latest Notable Narrative is Tom Levenson, professor of science writing at MIT and the author of four books, most recently Newton and the Counterfeiter. He chose Ta-Nehisi Coates’ “Fear…

"Why’s this so good?" No. 55: Dave Gardetta, inside the Hollywood scene

Around the turn of the millennium, big changes swept Hollywood. Suddenly and as never before, screens were clotted with the teen-fodder likes of Scream and Buffy the Vampire Slayer and…

Jeneen Interlandi on "When My Crazy Father Actually Lost His Mind"

We’ve chosen Jeneen Interlandi’s recent New York Times magazine cover story about her father’s mental illness as our latest Notable Narrative. “When My Crazy Father Actually Lost His Mind” follows a…
Viewfinder: Video journalism that works

Viewfinder: Video journalism that works

Whenever I go out on an assignment I get a few of the same questions from onlookers who see me with my tripod and my reasonably large video camera: “What…
"You will always have work, and it will be the best kind of work" -- Richard Rhodes on writing (Mayborn 2012, vol. 2)

"You will always have work, and it will be the best kind of work" — Richard Rhodes on writing (Mayborn 2012, vol. 2)

Richard Rhodes, the Pulitzer-winning author of The Making of the Atomic Bomb, and of 23 other books, delivered one of the keynotes at this year’s Mayborn Conference for Literary Journalism.…

The AP’s Kristen Gelineau, Ravi Nessman and Mary Rajkumar on the Saroo Brierley saga

Two AP reporters and an editor on three continents produced the story that we’ve chosen as our latest Notable Narrative. Kristen Gelineau (Sydney), Ravi Nessman (Delhi), and Mary Rajkumar (Miami; she’s the AP’s international enterprise editor) collaborated on the two-part…

"Why’s this so good?" No. 50: Jennifer Gonnerman and real lives

I often tell students, both undergraduate and graduate, that beautiful stories are everywhere. You can head off to Iraq and Afghanistan and pen a riveting war epic, but you can…
David Grann on the making of "The Yankee Comandante"

David Grann on the making of "The Yankee Comandante"

From the moment David Grann’s “The Yankee Comandante” appeared in the New Yorker last week, readers have been talking about it, hailing the tale of political intrigue, passion and heartbreak…
Buzz Bissinger on heart, luck, honesty, critics and the importance of switching things up

Buzz Bissinger on heart, luck, honesty, critics and the importance of switching things up

When Buzz Bissinger visited the Nieman Foundation last week, in some ways he was coming home. Twenty-six years ago, he finished his Nieman year inspired to do new and different…
What we're following: truthiness in narrative

What we're following: truthiness in narrative

It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over…