Search results for “power of storytelling”

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“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

It was summer; it was winter. The village disappeared behind skeins of fog. Fishermen came and went in boats named Reverence, Granite Prince, Souwester.Whenever I find my writing drifting into…
February Editors' Roundtable: The Milwaukee Journal Sentinel on patients' rights

February Editors’ Roundtable: The Milwaukee Journal Sentinel on patients’ rights

Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of…
Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Our January Editors’ Roundtable looked at “After the battle, Mike Sword’s war within,” a story by Roanoke Times reporter Beth Macy about the death of an Air Force veteran in Virginia after…
January Editors' Roundtable: The Roanoke Times on PTSD and hard questions

January Editors’ Roundtable: The Roanoke Times on PTSD and hard questions

Our January Roundtable looks at “After the battle, Mike Sword’s war within,” by Beth Macy. In her story, Macy explores the death of a combat veteran in southern Virginia, tracing…

Nieman Storyboard's top 10 posts for 2011

During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven't been following along, here they are, all in one…
When journalists become authors: a few cautionary tips

When journalists become authors: a few cautionary tips

There's long-form narrative, and then there's book-length narrative. Both are "long," but a story that's 300 pages long is a different proposition, for both writer and reader, from one that's…

Elegy for an enforcer

If you’ve been on the New York Times’ website at all this week, or even the Internet, chances are you’ve seen or heard something about our latest Notable Narrative, “Punched…
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…
September Editors' Roundtable No. 2: The New York Times on facing death

September Editors' Roundtable No. 2: The New York Times on facing death

Our second Roundtable of September examines “The Good Short Life,” by Dudley Clendinen. Diagnosed with ALS, Clendinen reflects on the past suffering of those closest to him and decides that he would…
“Why's this so good?” No. 13: Gene Weingarten peels the Great Zucchini

“Why’s this so good?” No. 13: Gene Weingarten peels the Great Zucchini

The Great Zucchini has a secret. And in “The Peekaboo Paradox,” Gene Weingarten exhumes the history that haunts the most popular children’s entertainer in Washington, D.C. The story, which ran…