Search results for “power of storytelling”

Showing 457 results
“Why's this so good?” No. 13: Gene Weingarten peels the Great Zucchini

“Why’s this so good?” No. 13: Gene Weingarten peels the Great Zucchini

The Great Zucchini has a secret. And in “The Peekaboo Paradox,” Gene Weingarten exhumes the history that haunts the most popular children’s entertainer in Washington, D.C. The story, which ran…

September Editors’ Roundtable No. 1: The Virginian-Pilot on saving soldiers in Afghanistan

Our first Roundtable of September examines “A Chance in Hell,” by Corinne Reilly. Visiting a combat hospital in Kandahar, Afghanistan, Reilly shows the endless challenges of trauma medicine just a helicopter…
Story, interrupted: why we need new approaches to digital narrative

Story, interrupted: why we need new approaches to digital narrative

The way we tell stories in print has been mostly the same for some time now. Space constraints and graphic layout have made the narrative flow a broken one. With…
August Editors' Roundtable No. 1: GQ ponders truth, lies and mystery

August Editors’ Roundtable No. 1: GQ ponders truth, lies and mystery

Our first Roundtable of August considers “Blindsided: The Jerry Joseph Basketball Scandal,” by Michael Mooney. The story spotlights a high school basketball player who stirred up questions about truth and…
“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

We tend now to think of Hollywood’s hackneyed, would-be blockbusters as a new phenomenon, one borne of desperation, unprecedented cynicism and the rise of narrative television. But Raymond Chandler's wonderful…
Old story, new media: David Dobbs brings family secrets to the Atavist

Old story, new media: David Dobbs brings family secrets to the Atavist

We recently talked by Skype with David Dobbs about the mystery that began with his mother’s dying wish. Dobbs’ years of efforts to solve that mystery eventually became “My Mother’s…
"Why's this so good?" No. 1: Truman Capote keeps time with Marlon Brando

“Why’s this so good?” No. 1: Truman Capote keeps time with Marlon Brando

Truman Capote’s profile of the depressive, incoherent, brilliant Marlon Brando is one of the greatest of all time. Published in 1957 in The New Yorker, it nominally takes place one…
June Editors' Roundtable: The Washington Post finds order in chaos

June Editors’ Roundtable: The Washington Post finds order in chaos

For the first Roundtable of the month, our editors looked at “Ala. tornado twists two families together” by Stephanie McCrummen from The Washington Post. The story, published early in May,…
Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don't know"

Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don’t know"

The Star-Ledger's Amy Ellis Nutt won this year's Pulitzer Prize for feature writing with “The Wreck of the Lady Mary,” her five-chapter story on the sinking of a scallop boat off…
Oliver Broudy on modern saints, magazine writing and crossing the border to Kindle Singles

Oliver Broudy on modern saints, magazine writing and crossing the border to Kindle Singles

Seeing the gaggle of outlets now dedicated to digital long-form (The Atavist, Kindle Singles and Byliner Originals, just for starters), I wanted to talk to a narrative journalist who had written…