Search results for “the pitch”

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“Why’s this so good?” No. 44: Robert Kurson and the blind man

My love affair with narrative nonfiction was in its early stages when I first read Robert Kurson’s “Into the Light,” in the June 2005 edition of Esquire. I was mostly…
May 29, 2012
Work we love: a multimedia look at secret slavery, a portrait of fantasy baseball’s founder and dueling Robert Caro profiles

Work we love: a multimedia look at secret slavery, a portrait of fantasy baseball’s founder and dueling Robert Caro profiles

Our bookmarks have been busy lately what with all the good stuff to read and watch and hear. Some of our recent favorites hail from CNN.com, Grantland, the New York…
May 4, 2012
Getting the story: Luke Dittrich and the tornado

Getting the story: Luke Dittrich and the tornado

In Thursday’s post we excerpted nice lines from the five National Magazine Award finalists in feature writing. These included Luke Dittrich’s “Heavenly Father!...,” from Esquire, about survivors of the Joplin,…
April 13, 2012
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
March 20, 2012
“Why’s this so good?” No. 24: Gay Talese on Joe DiMaggio

“Why’s this so good?” No. 24: Gay Talese on Joe DiMaggio

“Do you know how George Washington died?” my girlfriend asked one evening last week. I was busy working on this piece, and in truth, I had no idea. Because after he…
December 13, 2011
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…
December 2, 2011

Chris Jones on reporting for detail, the case against outlining and the power of donuts

Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple…
December 1, 2011
“Why’s this so good?” No. 22: Hank Stuever on 9-ish

“Why’s this so good?” No. 22: Hank Stuever on 9-ish

There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on…
November 29, 2011
Jessica Pressler on New York, “millennium girls” and the love story that wasn't

Jessica Pressler on New York, “millennium girls” and the love story that wasn't

This week's Editors' Roundtable dives into Jessica Pressler’s story “A Holly Golightly for the Stripper-Embezzlement Age,” from New York magazine. A contributing editor and blogger for New York since 2007, Pressler…
October 28, 2011
"Why's this so good?" No. 17: Meyer Berger delivers on deadline

"Why’s this so good?" No. 17: Meyer Berger delivers on deadline

The Pulitzer Prize for breaking news tends to go to a massive team effort, often one in which a dozen or more reporters feed material to one, two or even…
October 25, 2011