EDITOR’S NOTE: This essay is excerpted from a Storyboard newsletter originally published Friday, Feb. 25, 2022 Just one day into the madness being visited upon Ukraine, and already there is no end to heartbreaking images. I study them … Read more
Atlantic editor and writer Jacob Stern can sum up in a single word, as flickering as a blurred jab, what he knew about boxing: “Nothing.” But when Stern embarked on a story about a boxer returning … Read more
It would have been easy but discouraging to spend an entire year of Storyboard featuring stories about homelessness, climate woes and, of course, COVID-19. It would be tempting to identify the stand-outs among those, which are many, in my … Read more
First, let’s get this out of the way: Rumors of Gordon Lightfoot’s death, which have circulated on social media for 20 years now, continue to be premature. Apparently the Canadian balladeer, who turned 84 this week, plans to keep … Read more
Oh, the nut graf. I had to mentally brace myself to write about it. After all these years, it’s still the hardest thing I write. I tell students that all the time. I want them to know it’s not … Read more
When I’m working with writers on their nut grafs — and when I’m struggling with some version of a nut graf of my own — I seek guidance in examples where the storyteller nailed the point right away. Homer, … Read more
I love a good nut graph. After a meaty description of a scene or complex idea that pulls me into a story, my brain wants to know why I just read those paragraphs. The nut graph tells the reader … Read more
The behemoth of Twitter has been a game-changer for journalism. It has become a tool for breaking stories, making — or breaking — careers, calling attention to issues, and giving a platform to people who long were denied a … Read more
In late August, Jim Tankersley, a White House correspondent for The New York Times, learned he was going to be the pool reporter following President Biden to Dover Air Force Base for the arrival of the … Read more
Before she penned a nearly 9,000-word feature about the choices that parents navigate when leaving Orthodox Judaism behind, Larissa MacFarquhar hadn’t covered this particular community. A self-described generalist, The New Yorker writer has chased her curiosity across varied subject … Read more