Search results for “writing+the+book”

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“Why’s this so good?” No. 26: Moehringer KO's a mystery

“Why’s this so good?” No. 26: Moehringer KO's a mystery

The hell with my lede. Let’s start with his:I’m sitting in a hotel room in Columbus, Ohio, waiting for a call from a man who doesn’t trust me, hoping he’ll…
January 3, 2012
When journalists become authors: a few cautionary tips

When journalists become authors: a few cautionary tips

There's long-form narrative, and then there's book-length narrative. Both are "long," but a story that's 300 pages long is a different proposition, for both writer and reader, from one that's…
December 15, 2011
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…
December 2, 2011
Chris Jones on reporting for detail, the case against outlining and the power of donuts

Chris Jones on reporting for detail, the case against outlining and the power of donuts

Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a…
December 1, 2011
“Why’s this so good?” No. 22: Hank Stuever on 9-ish

“Why’s this so good?” No. 22: Hank Stuever on 9-ish

There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on…
November 29, 2011
Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Our November Editors’ Roundtable looked at “Hecho en América,” a story by GQ correspondent Jeanne Marie Laskas about migrant blueberry pickers in Maine. Laskas’ work has been featured previously on this…
November 18, 2011
November Editors’ Roundtable: GQ's close-up on the people who bring you breakfast (and lunch, and dinner)

November Editors’ Roundtable: GQ’s close-up on the people who bring you breakfast (and lunch, and dinner)

Our November Roundtable looks at “Hecho en América,” by Jeanne Marie Laskas. Laskas immerses herself in the world of migrant workers picking blueberries in Washington County, Maine, and illuminates the…
November 17, 2011
“Why’s this so good?” No. 20: Mr. Weschler's magic cabinet

“Why’s this so good?” No. 20: Mr. Weschler's magic cabinet

Magic and writing tricks differ in at least one happy way: A writing trick’s delights only increase once you see through the sleight of hand.In “Inhaling the Spore,” writing about a…
November 15, 2011
“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

It’s hard to think of a single magazine piece that exerts as world-historical an influence upon its genre as Gay Talese’s “Frank Sinatra Has a Cold,” the 1966 Esquire profile…
November 8, 2011
Your brain on narrative: evolution and the story rope

Your brain on narrative: evolution and the story rope

“Our brains are hard-wired for story” is one common argument for why narrative is useful in journalism, in writing, in life. The phrase has always made me uncomfortable, because while…
November 4, 2011