Our latest Notable Narrative turns cliché upside down to see what will fall out of its pockets. Maybe you can’t go home again, but Esquire’s Scott Raab wants to see what happens when you try. Raab’s … Read more
What does it take to make a great story? Boston University’s “The Power of Narrative” conference, held on campus April 29-30, aimed to offer some insights. The event included the kind of writing techniques and “show don’t tell” advice … Read more
Yesterday our Editors’ Roundtable looked at “When a diver goes missing, a deep cave is scene of a deeper mystery,” by Ben Montgomery. An enterprise reporter at the St. Petersburg Times, Montgomery was a 2010 Pulitzer finalist with the … Read more
This month, the Editors’ Roundtable looks at “When a diver goes missing, a deep cave is scene of a deeper mystery” by Ben Montgomery of the St. Petersburg Times. The story, our first newspaper narrative for the Roundtable, tells the … Read more
We spoke last week with Eliza Griswold, winner of the 2011 J. Anthony Lukas Book Prize for “The Tenth Parallel: Dispatches from the Fault Line Between Christianity and Islam.” … Read more
Yesterday afternoon Columbia University announced this year’s Pulitzer Prizes in New York. So many journalists and writers were waiting online for the magic moment that the befuddled Pulitzer site … Read more
[This last installment in a four-part series on writing historical narratives focuses on the importance of plot in nonfiction storytelling. The series is based on a lecture given by Adam Hochschild at Vanderbilt University in February 2011. Part … Read more
We recently posted our latest Editors’ Roundtable, which dissected “The Boy from Gitmo” by Mike Paterniti. A National Magazine Award winner (and a seven-time finalist), Paterniti writes for GQ and lives in Maine, where he and his wife, … Read more
Stop shopping for your Easter bonnet, and put down those 1040s – it’s time for a new Editors’ Roundtable! This session, our editors are looking at Michael Paterniti’s “The Boy from Gitmo,” which ran in the February issue of … Read more
[This third installment in a four-part series on writing historical narratives focuses on the importance of characters. The series is based on a lecture given by Adam Hochschild at Vanderbilt University in February 2011. Prior installments have included … Read more