Fifty-one years ago, The Los Angeles Times published the first of what came to be known as “Column One” stories, inspired by a few editors who wanted more than breaking news on the front page. Read more
EDITOR’S NOTE: It is not unusual these days to come across yet another announcement of the death of a notable journalist. Those who came into the profession during the heady times of the post-WWII boom, Vietnam and Watergate are now … Read more
A chronic reality of writing: It’s a struggle. Or so it often (always?) seems if you’re the writer. You aren’t sure whether your information is sound, where to start your story, what’s essential and what you can leave out. Read more
EDITOR’S NOTE: Authentic profiles are among the most rewarding, challenging and essential of journalistic art forms, requiring an alchemy of relationship, grit and elegance. The most successful often involve a bit of self-reflection, as a writer peers into the life … Read more
Modern society works hard to find ways to talk about subjects that have long been taboo, and that left sufferers isolated and shrouded in shame. Things like mental illness, abortion, addiction and even rape are more and more brought … Read more
Awards from elite, independent institutions always offer a reminder of the powerful work being done by storytellers of all stripes. None moreso in journalism than the Pulitzer Prizes. This year’s Pulitzer for fiction went to “The Overstory” … Read more
EDITOR’S NOTE: Mass shootings have become a tragic American story. School shootings are an especially searing chapter in that narrative. This week marks the 20th anniversary of Columbine, a high school in Colorado where 13 students were … Read more
Today marks the release of “Losing Earth: A Recent History,” Nathaniel Rich. The narrative tracks the story of a handful of scientists and politicians from 1979 to 1989 as they tried to build awareness of climate … Read more
EDITOR’S NOTE: The 2o19 Power of Narrative conference at Boston University was a full immersion into the craft, challenges and characters of story work. We are scrambling to mine as many of those riches as we can, … Read more
How do you tell the story of an extremist without allowing your own judgment to cloud your reporting? How do you interview people who are racist or violent, white supremacists or members of terrorist organizations? And why do we … Read more
