Calling all storytellers: Is there a story you’ve been dying to do, or even trying to write, but you know you need help? If so, the Mike Levine Writers Workshop is looking for you. Did we mention it’s free? All … Read more
I talked this week with Charles Pierce about the end-of-decade summary he did for Esquire. Pierce, who also works for The Boston Globe Magazine, talks (and perhaps writes—see end of interview) faster than any human being alive today. Here, he offers … Read more
Adrienne Mayor was a 2009 National Book Award finalist for her nonfiction book The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy. Mayor, a visiting scholar at Stanford University, has made a career of writing about monsters, … Read more
Atlanta Magazine reporter Thomas Lake recently hosted an unusual narrative conference at his family’s homeplace in rural Ludowici, Georgia. The Auburn Chautauqua—named for the educational movement that brought cultural and entertainment programs to rural America—drew a dozen or so reporters … Read more
Excerpts from a November interview with Gary Smith about his story “The Power of One,” which appeared in Sports Illustrated in September: Q: When did you first hear about Bonnie Richardson? How long did you work on … Read more
What do Alma Guillermoprieto, Dexter Filkins, Susan Orlean, Rick Bragg and Anne Hull all have in common? Once upon a time, they all headed to Cambridge, Mass., as Nieman Fellows for a year of study at Harvard University. Read more
Blog posts and articles on narrative journalism pinged around the Halloween weekend like eyeballs at a zombie food fight—and according to Washingtonian.com, an actual fight broke out at The Washington Post. While the Post’s Henry Allen (a Pulitzer … Read more
[The second in an occasional series aimed at helping readers find online resources that focus on narrative journalism.]
For more than four years, Gangrey.com has rounded up the best print narratives on a daily basis. Founder Ben Montgomery, who is also a reporter with Florida’s St. Petersburg Times, talks here about his personal motivation for starting his site and what he thinks narrative journalism can do.
On what makes a good Gangrey story:
Does it have something that’s surprising? Is it entertaining? Will it keep my attention? Is there some device being used that I’ve never seen before?
And on the multimedia components for his latest print narrative:
I couldn’t have pulled that off if it had required more effort from me. We wouldn’t have achieved the same level of—I don’t want to say excellence—the same level of story for either of those things, if both [the print story and the video] had required my attention. If journalists are required to write the story and compose the multimedia elements going into it, both parts tend to suffer.
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This week, I had a chance to talk by phone with Tom Shroder, who took a buyout from The Washington Post earlier this year. Shroder specializes in long-form narrative stories and recently launched his own editing site, and so I was curious what he would have to say about the current state of narrative journalism.
In our conversation, he dishes on a common mistake made by narrative freelancers, talks about the genesis of one of the best newspaper narratives ever written, and a offers up a considered defense of poop jokes. Here's a taste:
Where a lot of narrative journalism went wrong was that it became all about the writing, and not about the details for the story and the facts behind it. People felt they could throw some words at people and dazzle. But even good writers need to start with an exceptional set of facts.
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[The first in an occasional series aimed at helping readers find other online resources that focus on narrative journalism.]
Plenty of people are worried about the future of long-form journalism. Not Mark Armstrong. In April of this year, Armstrong started a “longreads” hashtag on Twitter in an attempt to create a community of people who could find and recommend great long-form stories available online. I spoke with him today, and he shared what motivated him to find a Twitter fan base for great online narratives:
“I think right now is really a perfect time for long-form journalism because of the iPhone, because of these apps that are out there. It’s changed the online reading experience to going from little nuggets that you consume between doing other tasks to something you can sit back with to read in a relaxed setting or on a commute. These are really the places where long-form journalism can work.”
Providing this kind of archive has been a part of the mission of our sister site, the Nieman Narrative Digest, and online stalwarts like Gangrey.com for more than three years. And here at Nieman Storyboard, we want to cheer on anything that keeps the narrative nonfiction flame burning. So even if you don’t use Twitter, visit @longreads to find links to stories people are recommending.
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