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An intimate new narrative conference, Cali style

An intimate new narrative conference, Cali style

For the better part of the last decade, the Nieman Foundation for Journalism ran the most popular narrative journalism conference in the country. For three days each spring, hundreds of journalists gathered…
Nieman narrative news: Please welcome Steve Almond and Louise Kiernan

Nieman narrative news: Please welcome Steve Almond and Louise Kiernan

An exciting word from the mothership:CAMBRIDGE, Mass. – The Nieman Foundation for Journalism has hired Louise Kiernan to edit Nieman Storyboard, a website that showcases exceptional narrative journalism and explores the future of nonfiction…
Reporting and writing historical narrative: Author Adam Hochschild on accessible prose + scene/setting + character + plot

Reporting and writing historical narrative: Author Adam Hochschild on accessible prose + scene/setting + character + plot

Several years ago, Adam Hochschild, the acclaimed author of King Leopold’s Ghost and other nonfiction narratives, told a Vanderbilt University audience that academic writing doesn’t have to be boring. Scholars of history and science — theoretically…
Upon Gary Smith's retirement: The venerated Sports Illustrated writer on longform immersion and intimacy

Upon Gary Smith’s retirement: The venerated Sports Illustrated writer on longform immersion and intimacy

It isn’t often that a narrative journalist’s retirement makes the news, but when Sports Illustrated announced this spring that longtime writer Gary Smith would be leaving the business, the public…
Investigative + narrative: Storytelling this week at IRE

Investigative + narrative: Storytelling this week at IRE

This year’s Investigative Reporters & Editors conference starts Wednesday in San Francisco, and there are no fewer than nine panels, workshops and master classes on storytelling. Registration is still open…
The sense of an ending

The sense of an ending

Whether you spell them “ledes” or “leads,” opening lines get a lot of attention. And why wouldn’t they? Sitting at the keyboard, with all the tedious and sometimes annoying reporting…
"Why's this (sentence) so good?" Jason Silverstein on Matt Taibbi on Goldman Sachs

“Why’s this (sentence) so good?” Jason Silverstein on Matt Taibbi on Goldman Sachs

The sentence: The world’s most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money.…
Inside the new storytelling collective Deca

Inside the new storytelling collective Deca

The new storytelling collective Deca launched late last week with a Kickstarter campaign and a debut title, “And the City Swallowed Them,” about the murder of a Canadian model in…

The Best of ‘Draft’ — control the narrative, keep it short & other advice on writing

Recommended reading from the New York Times’ Opinionator series “Draft,” on writing: “Keep It Short,” by columnist and author Danny Heitman: To shorten my articles, I often worked through several versions, and…
Watch a story 'come to life:' The Big Roundtable's new Open Rehearsal project

Watch a story ‘come to life:’ The Big Roundtable’s new Open Rehearsal project

Editor’s note: The Big Roundtable, a New York-based digital publisher of nonfiction, just launched the Open Rehearsal Project, which allows readers to “watch a story come to life.” The inaugural piece…