Articles

“Why’s this so good?” No. 21: Neal Stephenson’s plot-free adventure story

“Why’s this so good?” No. 21: Neal Stephenson’s plot-free adventure story

For one thing, it’s 42,535 words long. This lets you know that you’re into Serious Business right there, before you even get started. Then comes the opening, torn straight from…
Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Jeanne Marie Laskas on hidden lives, the search for the perfect protagonist, and the joys of long-form

Our November Editors’ Roundtable looked at “Hecho en América,” a story by GQ correspondent Jeanne Marie Laskas about migrant blueberry pickers in Maine. Laskas’ work has been featured previously on this…
November Editors’ Roundtable: GQ's close-up on the people who bring you breakfast (and lunch, and dinner)

November Editors’ Roundtable: GQ’s close-up on the people who bring you breakfast (and lunch, and dinner)

Our November Roundtable looks at “Hecho en América,” by Jeanne Marie Laskas. Laskas immerses herself in the world of migrant workers picking blueberries in Washington County, Maine, and illuminates the…
“Why’s this so good?” No. 20: Mr. Weschler's magic cabinet

“Why’s this so good?” No. 20: Mr. Weschler's magic cabinet

Magic and writing tricks differ in at least one happy way: A writing trick’s delights only increase once you see through the sleight of hand.In “Inhaling the Spore,” writing about a…

South Dakota to Moscow: Jocelyn Noveck profiles one American’s historic leap

This week, we’ve selected “From Rapid City to the Bolshoi in Moscow, American Dancer Takes Leap into Ballet” as our latest Notable Narrative. Telling the story of rising ballet star…
“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

“Why’s this so good?” No. 19: George W.S. Trow covers Sly Stone’s wedding

It’s hard to think of a single magazine piece that exerts as world-historical an influence upon its genre as Gay Talese’s “Frank Sinatra Has a Cold,” the 1966 Esquire profile…
Your brain on narrative: evolution and the story rope

Your brain on narrative: evolution and the story rope

“Our brains are hard-wired for story” is one common argument for why narrative is useful in journalism, in writing, in life. The phrase has always made me uncomfortable, because while…
Brady Dennis on “After the sky fell”

Brady Dennis on “After the sky fell”

This week’s “Why’s this so good?” post looked at Brady Dennis’ 296-word story about a toll booth operator’s love for the wife he lost to cancer. The piece ran in…
“Why’s this so good?” No. 18: Brady Dennis goes short

“Why’s this so good?” No. 18: Brady Dennis goes short

A few years ago, a bunch of us were sitting around the front porch of this crumpled old resort in the Catskills, knocking back drinks and talking shop. I can’t…
Jessica Pressler on New York, “millennium girls” and the love story that wasn't

Jessica Pressler on New York, “millennium girls” and the love story that wasn't

This week's Editors' Roundtable dives into Jessica Pressler’s story “A Holly Golightly for the Stripper-Embezzlement Age,” from New York magazine. A contributing editor and blogger for New York since 2007, Pressler…