Articles

October Editors' Roundtable No. 2: New York magazine updates an archetype

October Editors’ Roundtable No. 2: New York magazine updates an archetype

Our second October Rountable looks at “A Holly Golightly for the Stripper-Embezzlement Age,” by Jessica Pressler. Pressler introduces readers to former stripper Diane Passage, and a world in which a…
"Why's this so good?" No. 17: Meyer Berger delivers on deadline

"Why’s this so good?" No. 17: Meyer Berger delivers on deadline

The Pulitzer Prize for breaking news tends to go to a massive team effort, often one in which a dozen or more reporters feed material to one, two or even…

Michael Paterniti spins a fairy tale of loss and survival

Our latest Notable Narrative, “The Man Who Sailed His House,” tells the story of Hiromitsu Shinkawa, who was found floating alone on the roof of his home in the days…
Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

A soup-to-nuts look at narrative nonfiction, Jack Hart’s “Storycraft” breaks down different approaches to telling true stories and the components that make or break them. In writing the book, Hart…

“Why’s this so good?" No. 16: David Foster Wallace on the vagaries of cruising

For seven days and seven nights in mid-March of 1995, David Foster Wallace took a cruise. He did not have a very good time. The results of the voyage are…
Amy Harmon on getting readers “to think about the limits of their own tolerance”

Amy Harmon on getting readers “to think about the limits of their own tolerance”

Our latest Editors’ Roundtable looks at “Autistic and Seeking a Place in an Adult World.” Amy Harmon's story follows Justin Canha, an autistic man in his early 20s, and the…
October Editors' Roundtable No. 1: The New York Times on autism and adulthood

October Editors’ Roundtable No. 1: The New York Times on autism and adulthood

Our first October Rountable looks at “Autistic and Seeking a Place in an Adult World,” by Amy Harmon. Harmon tells the story of Justin Canha, a 21-year-old illustrator hoping to…
“Why’s this so good?” No. 15: Michael Lewis’ Greek odyssey

“Why’s this so good?” No. 15: Michael Lewis’ Greek odyssey

Last October, with the Greek bond crisis emerging as a danger to the European economy, Michael Lewis wrote a piece for Vanity Fair about an order of monks accused of…
“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

Freed from the captivity of home cookery and the rarefied practice of restaurant criticism, food is now a legitimate lens for thoughtful cultural journalism. It’s also a massive revenue generator…

What we're reading: surrendering revenge, little girl lost, and a town that disappeared

Required Storyboard reading has been light on humor of late, but there’s some wryness mixed in with the sorrow in Justin Heckert’s look at what nature did to Vaughn, Ga.…