Articles

Remembering 89

Batz does justice to this story’s emotional content without tipping into mawkishness. He achieves this through his poised nut graph and delicate scene-writing.Read “Remembering 89,” by Bob Batz Jr.

Pipeline to Peril

This is a powerful work of reporting, a devastating account of exploitation. The two-part series tells the story of a group of young Nepalese men who were recruited to work…

Digging JFK Grave Was His Honor

Breslin approaches the burial of John Fitzgerald Kennedy from the perspective of his grave digger. It’s a plainly told story—no breathtaking sentences here—but the style is effective in its Hemingway-esque…

Please Help Me

French uses the second person here to describe a reporting experience he had in Uzbekistan. This is a “how I got the story” story, in which the narrative consists mainly…

America’s New Friends

There’s no real narrative structure here, but the piece contains scenes that reveal much, that stand out for their lovely writing. Like his other story on Uzbekistan that’s included on…

Fixing Nemo

Here’s an example of a piece that has a narrative feel despite not having exactly a narrative arc. Its voice and humor and neat scenes make for an engaging read.Read…

A Gown for Lindsay Rose

According to this narrative’s editor’s note, French began covering this story 24 hours after the baby had died. He ended up focusing the narrative on a labor and delivery nurse.…

What Are We Going To Do with Dad?

We include this narrative essay by a physician—published in a health care journal—because it’s a great example of the ways that narrative can enliven and enlighten discourse about complicated and…

The Akron Beacon Journal's Narrative Group

I started a narrative group at the Akron Beacon Journal in January 2004. We meet roughly twice a month to discuss narrative techniques, how to apply them and improve the…

Their Eyes Are Wide Open

This piece takes on the theme of idealism; the two others in the paper’s series (of which we are aware) took on themes of optimism and fear. These latter pieces…