Author

‘Tis.

Why is it so great? This is not only one of the best one-word sentences in a memoir, it’s also possibly the only one-word chapter in a memoir. And the…
Why's This So Good? (The wonderful) Dan Barry and "The Lost Children of Tuam"

Why’s This So Good? (The wonderful) Dan Barry and “The Lost Children of Tuam”

The New York Times reporter writes, with his trademark humanity, of a terrible secret unearthed at an Irish "mother and baby" home
"The Uncounted": combining the power of narrative with an 18-month investigation

“The Uncounted”: combining the power of narrative with an 18-month investigation

For The New York Times Magazine, Azmat Khan and Anand Gopal humanize the victims as they reveal undercounts of Iraqi civilian deaths by U.S. airstrikes

“There is a time to write and a time to walk and a time to reflect and a time to act and I come unwillingly to this journal today, wanting to do something less reflective and feeling that I sometimes strip myself of my most reasonable attributes, bent over this machine.”

In August 1991, I read John Cheever’s journal excerpts published in The New Yorker. I was a 19-year-old college dropout, a waitress, and in the half hour before starting my shift,…
Annotation Tuesday: Elizabeth Weil and “The Curse of the Bahia Emerald”

Annotation Tuesday: Elizabeth Weil and “The Curse of the Bahia Emerald”

Elizabeth Weil, a contributing writer for The New York Times Magazine and Outside, says she doesn’t write about “super important” things. But her warm and captivating voice has animated every…
Start 2018 out right with some literary journalism conferences and workshops

Start 2018 out right with some literary journalism conferences and workshops

The Power of Narrative: Telling True Stories in Turbulent TimesMarch 23-25Boston UniversityBoston, MassachusettsIt looks like the longest-running narrative journalism conference is making a point of spotlighting great female journalists and…

“For last year’s words belong to last year’s language, and next year’s words await another voice.”

This line comes from the last of Eliot’s “Four Quartets,” and it is a sometimes terrifying poem, full of fiery images like this striking one:The dove descending breaks the air…
Some legends of longform on the stories we need next

Some legends of longform on the stories we need next

Susan Orlean, Pamela Colloff and other journalism heroes talk about why they think narrative is worthwhile, and what inspires them in grim times
Want to read some of the best literary journalism of 2017? We've got you covered

Want to read some of the best literary journalism of 2017? We’ve got you covered

A weekly roundup of some favorite things, for your reading and listening pleasure
"Draft No. 4": the legendary John McPhee's "master class in the writer's craft"

“Draft No. 4”: the legendary John McPhee’s “master class in the writer’s craft”

Who *wouldn't* want to learn the secrets of one of the best literary journalists of the last 50 years? Do we see any hands at all? Didn't think so.