Author

Andrea Pitzer

@andreapitzer

<a href="https://andreapitzer.com/bio/" target="_blank" rel="noopener"><strong>Andrea Pitzer</strong></a> is the author of three books of narrative nonfiction that explore untold histories. She was the editor of Nieman Storyboard from 2009-2012,

Ralph Berrier on war, music and memoir: "it fell to me to do it"

We talked this week with Ralph Berrier Jr., Roanoke Times reporter and author of “If Trouble Don't Kill Me.” Recounting 1930s country music history and battles on three continents during…

What we’re watching: used car sales’ Big Vinny, artists living in uncertain times, and the true price of a dowry

Great visuals can inspire storytellers, even when they’re employed for other ends. Below are a collection of beautiful photos and video used in intriguing ways to evoke a way of…
Nobel Prize site offers multimedia smorgasbord; winner Mario Vargas Llosa shows fidelity to print newspapers

Nobel Prize site offers multimedia smorgasbord; winner Mario Vargas Llosa shows fidelity to print newspapers

Photo: Daniele DevotiThe Nobel Prize website has gone cutting edge, or at least modern. Visitors can, for instance, watch Nobel webcasts on a YouTube channel or Tweet greetings to the…

After the Wall: the strange story of German reunification

Narrative journalism can provide a window into distant communities or a link to people you might pass without noticing in daily life, but it also lets readers be flies on…

Move over Lady Gaga; meet Ron Charles (a.k.a. the Totally Hip Video Book Reviewer)

Has book publishing found its savior? Well, probably not, but in August, The Washington Post's Ron Charles made his small-screen debut in the role of a cranky, self-important book reviewer.…

What we’re reading, in which we contemplate a hit-and-run fatality, the death of Glenn Beck’s mother and the declining lethality of quicksand

One of the things about stories is that for them to be interesting, something usually goes wrong. As a result, a large number of the articles, profiles and essays we…
Michael Jones on heroes, villains and the science of narrative

Michael Jones on heroes, villains and the science of narrative

We spoke last week with Michael D. Jones, who is applying statistics to narrative here at Harvard during his fellowship at the Edmond J. Safra Center for Ethics. Jones, who…
What we’re watching: in which a battalion deploys, Ramadan ends, and a drawing unfolds to illustrate an argument

What we’re watching: in which a battalion deploys, Ramadan ends, and a drawing unfolds to illustrate an argument

Perhaps it’s just the nippy fall weather descending, but we have a multiplicity of crowdsourced, interactive and on-the-horizon projects. So, depending on your constitution, here are some nuggets of future-of-journalism…
GQ's &quot;An Army of One&quot;: The war on terror finds its own Don Quixote

GQ’s "An Army of One": The war on terror finds its own Don Quixote

Though literary nonfiction takes its cues from literary fiction, William Faulkner would struggle to invent a more extreme character than his (possibly inadvertent) namesake Gary Faulkner, the subject of “An…
Colin Harrison and Sam Gwynne on the editor-writer partnership, going deep and the difference between a subject and a story

Colin Harrison and Sam Gwynne on the editor-writer partnership, going deep and the difference between a subject and a story

In yet more goodness from July's Mayborn Conference, we're happy to post this conversation between Colin Harrison, who is currently senior editor at Scribner, and S.C. "Sam" Gwynne, author of "Empire of…