Author

Paige Williams

@williams_paige

Paige Williams writes for The New Yorker and is an associate professor at the Missouri School of Journalism. Winner of the National Magazine Award for feature writing in 2008, and a finalist in 2011 and 2009 (shared) , she has been anthologized in five volumes of the Best American series, including twice in The Best American Magazine Writing. She is the former editor of Nieman Storyboard and has taught narrative nonfiction at Harvard, M.I.T., NYU, Emory, the University of Pittsburgh, and at her alma mater, the University of Mississippi. She was a '97 Nieman Fellow and holds an MFA in fiction from Columbia University. Her narrative nonfiction book "The Dinosaur Artist" is forthcoming, from Hachette, in Fall 2016.

"My Travels with the Curse of Maracaña"

“My Travels with the Curse of Maracaña”

If Amy O’Leary describes a piece as “crazy fantastic digital storytelling” —— you can bet it’s true. And so it is, with “My Travels with the Curse of Maracaña,” a 2014 “World Cup…
Five great weekend reads: 2014 CRMA winners

Five great weekend reads: 2014 CRMA winners

The City & Regional Magazine Association announced its latest winners this week. The annual prizes are administered by the Missouri School of Journalism at the University of Missouri. Five great stories for…

Two writers, one tough subject

Two notable narratives for your consideration this week, both on the loss of a loved one, to cancer:In “The Day I Started Lying to Ruth,” a long reported essay in New…

What we’re watching: Scholars talking literary journalism

This year’s International Association for Literary Journalism Studies* started today in Paris, and you can follow along via #IALJS9 or watch the events live. The full conference program is here. Ten recommended panels or presentations:“Hearing Their Voices:…
#crowdsourced: great examples of the write-around

#crowdsourced: great examples of the write-around

Last week, a student asked for notable examples of the write-around, that subgenre in which the journalist had limited to no access with the story subject. The most famous examples…

The Music of Narrative: Songs from great literary journalism

A story without sound lies too dead on the page. Imagine “Mrs. Kelly’s Monster,” by Jon Franklin, without the pop … pop … pop of the operating-room sensors. Or Tom…
Notable Narrative: David Abel and the Richard family, survivors of the Boston Marathon bombing

Notable Narrative: David Abel and the Richard family, survivors of the Boston Marathon bombing

Our latest Notable Narrative, "For Richard family, loss and love," is a two-part series by David Abel* of the Boston Globe. Abel spent six months with the Richards, a family of…

The 2014 Pulitzers: A gap year for features

The Pulitzer judges’ decision* not to award a prize in Features Writing on Monday was disappointing but not unprecedented.** The last (and only other) gap occurred 10 years ago, when…
Narrative flashback: Kelly, Kirn, Guillermoprieto, Woo, Kaminer, Krulwich and Hart talk storytelling's future and form

Narrative flashback: Kelly, Kirn, Guillermoprieto, Woo, Kaminer, Krulwich and Hart talk storytelling’s future and form

Storyboard isn’t the only Nieman Foundation publication with a rich craft archive. Our venerable sister magazine Nieman Reports maintains a trove of material on narrative and storytelling, and we’ll be…
'It's not about the cameras, it's about how you see the world' — and 49 other tips and inspirations from the BU narrative conference

‘It’s not about the cameras, it’s about how you see the world’ — and 49 other tips and inspirations from the BU narrative conference

Fifty takeouts from some of the speakers at last weekend’s Boston University conference on narrative, culled from the Twitter feeds of Lauren Alexander, Alletta Cooper, Cat Cowan, Jessica DuLong, John…