Story Craft

Drawing a line from Yale classrooms and dead German intellectuals to Masters of the Universe

Farah StockmanFarah Stockman came to journalism while teaching street children in Kenya. She worked as a freelancer in Nairobi for The New York Times, NPR and The Christian Science Monitor, and then joined The Boston…

Two years ago, Nikole Hannah-Jones published “Segregation Now,” a collaboration between her then-employer Pro Publica and The Atlantic, about the desegregation and resegregation of Tuscaloosa, Alabama. Hannah-Jones started her career…

Mary Roach doesn’t do her homework. She didn’t go to J-school. By her own admission, she’s never quite sure she knows what she’s doing.“I always have the sense that I’m…

Back in 1998, magazine writer Mike Sager was best known for his fearless profiles of drug dealers, crackheads, porn stars, and neo-Nazis. But that year Esquire handed him a very…

The last time most of us heard of the Winklevoss twins—hell, the first time we heard of them—was in David Fincher’s acerbic 2010 movie, The Social Network. You remember: Tyler…

Esquire has long been fascinated by men in power—and by the frailties and anxieties that lie just beneath their polished facades. Beginning in the late eighties, contributing editor Elizabeth Kaye…

Joe RichmanJoe Richman practices narrative without narration. His production company, Radio Diaries, crafts public radio stories whose characters do all the talking. In the absence of a reporter’s voice, which…

Mid February marked the anniversary of Magic Johnson’s 1992 return to the NBA after having retired the previous fall, when he announced he was HIV positive. He turned in a…

C.J. Chivers, widely regarded as a superman of war coverage, covered conflicts for The New York Times and Esquire for 14 years. In “The End of War,” Mark Warren explains what…