Why’s This So Good?

“Why’s this so good?” No. 45: Adam Sternbergh on … walking

Let’s start with the headline. Sometimes, when I am trying to headline a piece and my heds are getting more and more punny and convoluted, I gather myself and remember…

“Why’s this so good?” No. 44: Robert Kurson and the blind man

My love affair with narrative nonfiction was in its early stages when I first read Robert Kurson’s “Into the Light,” in the June 2005 edition of Esquire. I was mostly…
"Why's this so good?" No. 43: "Radio Diaries" on teenage drama

"Why’s this so good?" No. 43: "Radio Diaries" on teenage drama

Boxing stories leave me cold. Like many sports stories, they seem to assume an audience of fans who will be thrilled − rather than sickened − by a narrative built on grueling workouts, bloodied…
"Why's this so good?" No. 42: Tom Hallman and timeless forgiveness

"Why's this so good?" No. 42: Tom Hallman and timeless forgiveness

Years ago, the wonderful Walt Harrington came to our newsroom and fired us up. We were at the start of a storytelling revival, trying to find our way back to craft, and…

“Why’s this so good?” No. 41: Skip Hollandsworth and sacrifice

It was the altitude, officially. If the flight attendant was concerned about my tears, or if the little girl in the pink hoodie across the aisle was curious: Reading at…

"Why’s this so good?" No. 40: Roy Blount Jr. lets Jerry Clower talk

Over the years Roy Blount Jr. has written a number of superb magazine articles, one of my favorites being “Knock ’im Out, Jay-ree!” a profile of the great Southern raconteur…
"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

Just shoot me now.That might be a normal journalist’s reaction to news that the subject of a mega-profile for a magazine cover story has declined to be interviewed for the…
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…

“Why’s this so good?” No. 36: Alice Steinbach and one boy’s vision

I wish I had come to this assignment when Alice Steinbach was still alive. I could have thanked her one last time for writing “A Boy of Unusual Vision,” a…