Why’s This So Good?

“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

We tend now to think of Hollywood’s hackneyed, would-be blockbusters as a new phenomenon, one borne of desperation, unprecedented cynicism and the rise of narrative television. But Raymond Chandler's wonderful…
"Why’s this so good?" No. 4: W.C. Heinz on Air Lift, son of Bold Venture

"Why’s this so good?" No. 4: W.C. Heinz on Air Lift, son of Bold Venture

On a rainy afternoon in 1949, W.C. Heinz watched a beautiful young horse break its leg and then get shot in the head. And then he sat down and wrote…
"Why's this so good?" No. 3: André Aciman on the geography of longing

"Why's this so good?" No. 3: André Aciman on the geography of longing

Any piece about New York City has a heavyweight champion to contend with – E.B. White’s “Here Is New York” – but André Aciman’s “Shadow Cities” comes out swinging. “On…

"Why’s this so good?" No. 2: McPhee takes on the Mississippi

When the Mississippi River recently surged down through the middle of the country, a lot of people I follow on Twitter took the opportunity to point to John McPhee's marvelous 1987…
"Why's this so good?" No. 1: Truman Capote keeps time with Marlon Brando

“Why’s this so good?” No. 1: Truman Capote keeps time with Marlon Brando

Truman Capote’s profile of the depressive, incoherent, brilliant Marlon Brando is one of the greatest of all time. Published in 1957 in The New Yorker, it nominally takes place one…

"Why's this so good?" – a collaboration on the magic of long-form stories

We’re excited to announce a new feature that we’ll be rolling out next week on Nieman Storyboard. “Why’s This So Good?” will explore what makes classic narrative nonfiction stories worth…