Search results for “5 questions”

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"The Watchdog" on the importance of storytelling in consumer reporting

“The Watchdog” on the importance of storytelling in consumer reporting

You might not think of consumer columnists as narrative storytellers, or investigative reporters. But journalist Dave Lieber, “The Watchdog” for the Dallas Morning News, is a big fan of the…
Forget the politics of immigration -- read about the real lives of immigration

Forget the politics of immigration — read about the real lives of immigration

This week on Storyboard we spotlighted some wonderful journalism (and songwriting) about immigration. I know I might be biased, because I spent the bulk of my career at the Los…
Francisco Cantú and "The Line Becomes a River: Dispatches From the Border"

Francisco Cantú and “The Line Becomes a River: Dispatches From the Border”

I remember first hearing Francisco Cantú’s story sometime last year, spooling out from my car speakers as I wound through mountain curves many hundreds of miles from the border he…
Why's This So Good? (The wonderful) Dan Barry and "The Lost Children of Tuam"

Why’s This So Good? (The wonderful) Dan Barry and “The Lost Children of Tuam”

If Dan Barry has a beat, it is humanity — humanity as it reckons with its triumphs and travesties, and, sometimes, its profound secrets.[pq]Why does Barry begin a story about…
Annotation Tuesday: Elizabeth Weil and “The Curse of the Bahia Emerald”

Annotation Tuesday: Elizabeth Weil and “The Curse of the Bahia Emerald”

Elizabeth Weil, a contributing writer for The New York Times Magazine and Outside, says she doesn’t write about “super important” things. But her warm and captivating voice has animated every…
Some legends of longform on the stories we need next

Some legends of longform on the stories we need next

As audience development editor at Longreads, it’s my job to encourage readers to find and share unforgettable stories. Stories that help us understand this world. Stories that imagine a better…
"Draft No. 4": the legendary John McPhee's "master class in the writer's craft"

“Draft No. 4”: the legendary John McPhee’s “master class in the writer’s craft”

John McPhee’s great subject has always been work. From his first book, “A Sense of Where You Are,” which came out in 1965 and portrays basketball star and Rhodes Scholar…
A veteran freelancer on pitching The New York Times Magazine and more

A veteran freelancer on pitching The New York Times Magazine and more

Reporter (and editor) Paul Tullis has been on both sides of the pitching process; here, he annotates his "Into the Wildfires" proposal
"Something waits beneath it; the whole story doesn't show." (Haunted by this.)

“Something waits beneath it; the whole story doesn’t show.” (Haunted by this.)

The final half of this week’s One Great Sentence has stayed with me: “Something waits beneath it; the whole story doesn’t show.” It’s about the winter landscape, but couldn’t it also apply…
What does poetry have to do with journalism? Quite a bit, actually. Read on.

What does poetry have to do with journalism? Quite a bit, actually. Read on.

It was Poetry Week on Storyboard, which is pushing the envelope a bit for a site that explores the art and craft of narrative nonfiction. But I would argue that…