Search results for “5 questions”

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"Why’s this so good?" No. 60: Jeanne Marie Laskas and the empire of ice

For the past few years, GQ correspondent Jeanne Marie Laskas has explored the myriad behind-the-scenes lives that help make our first-world reality what it is today. To borrow a couple…
Viewfinder: We need to talk

Viewfinder: We need to talk

Let’s talk about why we’re not talking, shall we?I’ve noticed a recent video journalism trend against treating the audience to a bit of narration. Yes, I said narration: the stuff…
"What's on your syllabus?" Narrative professors on what stories and books they assign

“What’s on your syllabus?” Narrative professors on what stories and books they assign

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for…
Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

We chose Erin Sullivan’s story about a 9/11 survivor as our latest Notable Narrative for the usual reasons − interesting characters; strong, memorable writing − but also because it contained the watermark…

Michael Kruse and the woman who disappeared in her own home

In July 2011, Michael Kruse of the St. Petersburg Times (now the Tampa Bay Times) wrote a haunting story about the “disappearance” and death of a woman named Kathryn Norris. He did it…

Jon Franklin and “Mrs. Kelly’s Monster”

Jon Franklin’s “Mrs. Kelly’s Monster,” which in 1979 won the inaugural Pulitzer Prize for feature writing, ran 33 years ago but never loses its power to captivate or instruct. Franklin…
Viewfinder: Video journalism that works

Viewfinder: Video journalism that works

Whenever I go out on an assignment I get a few of the same questions from onlookers who see me with my tripod and my reasonably large video camera: “What…
"I wanted people who were beautifully imperfect" -- Isabel Wilkerson on finding characters (Mayborn 2012, vol. 3)

"I wanted people who were beautifully imperfect" — Isabel Wilkerson on finding characters (Mayborn 2012, vol. 3)

Isabel Wilkerson closed out the Mayborn by describing the 15 years she spent reporting and writing her book, The Warmth of Other Suns. The book chronicles the migration of 6…
"You will always have work, and it will be the best kind of work" -- Richard Rhodes on writing (Mayborn 2012, vol. 2)

"You will always have work, and it will be the best kind of work" — Richard Rhodes on writing (Mayborn 2012, vol. 2)

Richard Rhodes, the Pulitzer-winning author of The Making of the Atomic Bomb, and of 23 other books, delivered one of the keynotes at this year’s Mayborn Conference for Literary Journalism.…
Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

If you were following the activities out of Grapevine, Texas, last weekend you might’ve seen tweets like this one:And this one:And these:Peter Simek of D magazine recapped this year’s Mayborn Literary Nonfiction…