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"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

America tends to get credit for adding narrative journalism to the literary canon. And there’s no doubt that the combination of timely reporting and timeless writing took on new and…
“Why’s this so good?” No. 32: Darcy Frey on the brink

“Why’s this so good?” No. 32: Darcy Frey on the brink

It’s been 16 years since I first read Darcy Frey’s piece about the overwhelming, stressful job of being an air traffic controller – 16 years since I first swore never to…
February Editors' Roundtable: The Milwaukee Journal Sentinel on patients' rights

February Editors’ Roundtable: The Milwaukee Journal Sentinel on patients’ rights

Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of…
Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Beth Macy on Edna Buchanan, sources in conflict, and stories too sad to tell

Our January Editors’ Roundtable looked at “After the battle, Mike Sword’s war within,” a story by Roanoke Times reporter Beth Macy about the death of an Air Force veteran in Virginia after…
Pamela Colloff on storytelling, justice and letting readers think for themselves

Pamela Colloff on storytelling, justice and letting readers think for themselves

Our latest Notable Narrative, the story of a mother convicted of killing her adopted son with salt, comes from Pamela Colloff of Texas Monthly.A two-time National Magazine Award finalist, Colloff…

When journalists become authors: a few cautionary tips

There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s…
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…

Chris Jones on reporting for detail, the case against outlining and the power of donuts

Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple…