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What journalists need to know when interviewing a transgender person

What journalists need to know when interviewing a transgender person

A transgender activist and former journalist urges reporters to move past the bathroom question and other false stereotypes
A profile gives voice to a transgender teen who is denied her full identity

A profile gives voice to a transgender teen who is denied her full identity

Samantha Schmidt of The Washington Post follows a girl who struggles to keep her voice and newfound happiness during COVID isolation
Everything you need (and more) to shoot great selfie video

Everything you need (and more) to shoot great selfie video

EDITOR’S NOTE: This is the third in our five-part video series, Field Testing, in which independent video producer Alexander Trowbridge retreats to a farm to learn the tools and skills…
The power and purpose of a writer's voice

The power and purpose of a writer’s voice

The founding director of the BU Power of Narrative conference details the most important step you can take towards narrative journalism
#4 rule of pitching: Know what's come before

#4 rule of pitching: Know what’s come before

The lack of a simple clips search can tank your idea
Reconstructing the tragedy of COVID from the epicenter of New York City's outbreak

Reconstructing the tragedy of COVID from the epicenter of New York City’s outbreak

Zooming in on a hard-hit corner of multi-cultural Queens, Dan Barry, Annie Correal and a New York Times team dared to get close and gain trust
Journalists on the screen: a conflicted image

Journalists on the screen: a conflicted image

The pop culture portrayal of reporters in movies and TV mirrors and shapes public perception of the press
"He was old enough to dance to a good beat but too young to know his favorite color."

“He was old enough to dance to a good beat but too young to know his favorite color.”

—Peter Hermann and Clarence Williams of The Washington Post, in a story about the spike in gun violence in Washington D.C.
#3 rule of pitching: Flyspeck your copy

#3 rule of pitching: Flyspeck your copy

In story pitches, first impressions count
The struggle to define cinematic writing

The struggle to define cinematic writing

Narrative writer, editor and teacher Constance Hale on the elements that make for a true compelling story, with a sampling of writing she loves