Roy Peter Clark holds the post of senior scholar at the Poynter Institute, and as such is one of narrative journalism’s hardest-working midwives. You may have already encountered him here on Storyboard or through his books on … Read more
In yet more goodness from July’s Mayborn Conference, we’re happy to post this conversation between Colin Harrison, who is currently senior editor at Scribner, and S.C. “Sam” Gwynne, author of “Empire of the Summer Moon,” which Harrison edited. Read more
Nothing prepares you for your first time. You’re out with someone, maybe a date, maybe just friends, everything’s fine, and then he whips it out, right in front of you — at a restaurant, on the street, anywhere. You try … Read more
We recently spoke with Katy Butler about her New York Times Magazine piece, “What Broke My Father’s Heart,” our latest Notable Narrative. Butler, whose work has appeared in magazines such as The New Yorker, Mother Jones and The Village Voice, … Read more
What approaches are other countries taking to visual storytelling? How can storytellers thrive in places where journalism has been suppressed or simply doesn’t exist? Pondering these questions, we recently talked via Skype with Liza Faktor, director of the Moscow-based … Read more
Journalists are told to write short for the Web. The online audience wants information, not a lovely phrase or a rousing metaphor. “On the Web, people want to move quickly,” says Hoa Loranger, quoted on a video for a Web … Read more
Can less be more? The value of ignorance came up this week at the Modern Language Association’s annual conference in Philadelphia during a session titled “Literature and Journalism.” Rob Nixon, of the University of Wisconsin at Madison, talked principally about nonfiction … Read more
Photographer Francine Orr had experience reporting on poverty and humanitarian crises around the globe. But while working on “Gimme Shelter,” an audio slide show about L.A.-area homeless people living under a bridge, she found plenty to cover—and plenty to fear—right in her own back yard.
[caption id="attachment_1488" align="alignleft" width="176" caption="L.A. Times/Francine Orr"][/caption]
Orr spoke about the dangers of reporting on mentally ill addicts:
"There’s such a history of random violence along the river. Everything is okay there until it’s not, and sometimes you don’t have warning before it changes. I always had to be aware of who was standing behind me, because I didn’t want someone to smash the back of my head while I was doing my work."
And on how she views journalists' responsibilities to subjects, Orr had this to offer:
"I’m a journalist; I’m not a social worker. If I do my job well, I present the story in a truthful manner, in an accurate manner, in a somewhat compassionate manner. I leave it to the viewer, to the reader, to respond. If they feel there is a need or an injustice that requires some action, that’s their role. My role is to present the story."
Read the full interview. Read more
Editor’s Note: This is an edited transcript of comments made by Gay Talese at the Nieman Narrative Journalism Conference at Harvard University in Cambridge, Mass., on Dec. 1, 2001. It was first published in the Spring 2002 issue of RiverTeeth. Read more
When writers, readers, English teachers, librarians, bookstore people, editors, and reviewers discuss extended digressive narrative nonfiction these days, they’re fairly likely to call it literary journalism. The previous term in circulation was Tom Wolfe’s contentious “New Journalism.” Coined in the … Read more
