Search results for “so you want to write a book”

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“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

Freed from the captivity of home cookery and the rarefied practice of restaurant criticism, food is now a legitimate lens for thoughtful cultural journalism. It’s also a massive revenue generator…
“Why's this so good?” No. 13: Gene Weingarten peels the Great Zucchini

“Why’s this so good?” No. 13: Gene Weingarten peels the Great Zucchini

The Great Zucchini has a secret. And in “The Peekaboo Paradox,” Gene Weingarten exhumes the history that haunts the most popular children’s entertainer in Washington, D.C. The story, which ran…
“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

“Why’s this so good?” No. 10: Ralph Wiley tackles Jim Brown

In “Nobody Else is Jim Brown,” sportswriter Ralph Wiley constructs a profile of perhaps the greatest football player in NFL history, a man so legendary that the word legend actually applies.…
“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

What do Silly Putty, Superman and Marilyn Monroe have to do with architecture?Short answer: Nothing.Long answer:  Herbert Muschamp. In 1997, New York Times architecture critic Muschamp traveled to a then…
Michael Mooney on Jerry Joseph: "What person has not thought about what it would be like to relive their youth?"

Michael Mooney on Jerry Joseph: "What person has not thought about what it would be like to relive their youth?"

Our latest Editors’ Roundtable looks at Michael Mooney’s story “Blindsided: The Jerry Joseph Basketball Scandal,” from the July issue of GQ. Mooney, a staff writer for D Magazine, previously worked for…
"Why's this so good?" No. 3: André Aciman on the geography of longing

"Why's this so good?" No. 3: André Aciman on the geography of longing

Any piece about New York City has a heavyweight champion to contend with – E.B. White’s “Here Is New York” – but André Aciman’s “Shadow Cities” comes out swinging. “On…
Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don't know"

Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don’t know"

The Star-Ledger's Amy Ellis Nutt won this year's Pulitzer Prize for feature writing with “The Wreck of the Lady Mary,” her five-chapter story on the sinking of a scallop boat off…
Michael Paterniti on the legacy of Gitmo: “I didn’t want to turn it into some neat parable”

Michael Paterniti on the legacy of Gitmo: “I didn’t want to turn it into some neat parable”

We recently posted our latest Editors’ Roundtable, which dissected “The Boy from Gitmo” by Mike Paterniti. A National Magazine Award winner (and a seven-time finalist), Paterniti writes for GQ and…
April Editors' Roundtable: GQ dives into the personal consequences of war

April Editors’ Roundtable: GQ dives into the personal consequences of war

Stop shopping for your Easter bonnet, and put down those 1040s – it's time for a new Editors' Roundtable! This session, our editors are looking at Michael Paterniti's “The Boy from…
Isabel Wilkerson on the Great Migration, structuring an epic narrative and the challenges of writing nonfiction

Isabel Wilkerson on the Great Migration, structuring an epic narrative and the challenges of writing nonfiction

Continuing the spring flurry of awards, Columbia University and the Nieman Foundation announced last week that the 2011 Mark Lynton History Prize will be awarded to Isabel Wilkerson for her…