Search results for “so you want to write a book”

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Adam Hochschild on narrative nonfiction, history and finding the next story

Adam Hochschild on narrative nonfiction, history and finding the next story

Adam Hochschild arrived at the narrative journalism conference at Boston University last weekend feeling liberated after an intense six-year relationship.But soon this writer will be looking to fall in love…
New York Times editor Bill Keller on narrative's future: three "threats" to it he's not buying

New York Times editor Bill Keller on narrative’s future: three "threats" to it he’s not buying

New York Times executive editor Bill Keller thinks the death of narrative journalism has been greatly exaggerated—and he brought some examples to Boston University’s 2010 narrative conference Saturday to prove…
The importance of words in multimedia storytelling

The importance of words in multimedia storytelling

Journalists are told to write short for the Web. The online audience wants information, not a lovely phrase or a rousing metaphor. “On the Web, people want to move quickly,” says Hoa Loranger,…

Robert Darnton looks to the past to imagine future news narratives: Walter Winchell and "paragraph men"

What might life without books look like, and how will the shift to digital texts and images change news narratives? Earlier this month, Nieman Lab staffer Megan Garber wrote about…
From Treme to the 9/11 Commission Report: index as story

From Treme to the 9/11 Commission Report: index as story

Treme's Wendell PierceSunday night’s Treme debut found a companion in Monday morning’s Times-Picayune: “HBO’s Treme Explained.” The New Orleans paper will offer a weekly encyclopedic post explaining culture and geography…
Marie-Claude Dupont on Canada's GDP Project: "we’re trying to show how these people reinvent themselves"

Marie-Claude Dupont on Canada’s GDP Project: "we’re trying to show how these people reinvent themselves"

photo credit: Martin DelisleWe spoke this week with Marie-Claude Dupont, producer of the GDP Project, an effort to document the economic crisis in Canada. Funded by the National Film Board,…
David Grann on murder, madness and writing for The New Yorker

David Grann on murder, madness and writing for The New Yorker

After years spent thinking he would become a novelist, David Grann turned to nonfiction, realizing that if he found intriguing characters and situations in real life, he “simply had to excavate…

Sports Illustrated's Alexander Wolff on writing and the future of narrative: “I’m not sure I’m going to be on that train”

Yesterday, we highlighted a Sports Illustrated story about the lone goal from a U.S.-England World Cup match in 1950 and the tragic disappearance of the man who scored it. Today, we hear…
National Magazine Award finalist Oliver Broudy on morbid curiosity and narrative as burlesque

National Magazine Award finalist Oliver Broudy on morbid curiosity and narrative as burlesque

We talked this week with Men’s Health contributing editor Oliver Broudy about his December 2009 story “Dead Man Driving,” which recreates the events leading up to the death of Adam…
Duckrabbit's Benjamin Chesterton on the Blindfolded Photographer

Duckrabbit’s Benjamin Chesterton on the Blindfolded Photographer

[We recently met Benjamin Chesterton at the Frontline/ICP symposium, where he participated in a discussion on the future of visual narrative. He had some strong opinions about photojournalists and storytelling, and we thought our…