Search results for “the pitch”

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Viewfinder: Video journalism that works

Viewfinder: Video journalism that works

Whenever I go out on an assignment I get a few of the same questions from onlookers who see me with my tripod and my reasonably large video camera: “What…
Multimedia storytelling at The Atavist: One year in, how's it going, Evan Ratliff?

Multimedia storytelling at The Atavist: One year in, how’s it going, Evan Ratliff?

It’s been a little over a year since The Atavist debuted as a groundbreaking digital platform for long-form multimedia storytelling. Narrative journalists had been bemoaning the shrinking storytelling acreage, so this…
Anna Badkhen on her two books about war and a decade as a "professional intruder"

Anna Badkhen on her two books about war and a decade as a "professional intruder"

I had a chance to sit down last week with Anna Badkhen in Washington, D.C., to talk about her two books out this year, “Peace Meals” and “Waiting for the Taliban”…
‘Your story is worth telling’

‘Your story is worth telling’

Danyel Smith on journaling through life and work. Plus: National Book Award finalists, and the elements of a story pitch
Danyel Smith on developing taste as a writer and building confidence to tell your own story

Danyel Smith on developing taste as a writer and building confidence to tell your own story

The award-winning journalist, author, and producer shares lessons from across many forms and genres — from running Vibe magazine to writing her memoir, “Shine Bright”
Scenes from a hacker house

Scenes from a hacker house

The San Francisco AI gold rush. Plus: Kari Howard Fund for Narrative Journalism, Justin Heckert's one that got away.
Finding your book's main characters

Finding your book’s main characters

Megan Greenwell's “Bad Company,” annotated. Plus: What makes dialogue work on the page?
Revisiting the historical narrative in a reported memoir

Revisiting the historical narrative in a reported memoir

Sara Kehaulani Goo tells a personal story about Maui. Plus: what happens when your subjects don't like your story?
‘A Noiseless Flash’: Hiroshima, 80 years later

‘A Noiseless Flash’: Hiroshima, 80 years later

The power of one story, and the need for many. Plus: Maurice Carlos Ruffin on “getting your protagonist out of the house”
In praise of outtakes: How journalists make the most of their story cuts

In praise of outtakes: How journalists make the most of their story cuts

For many authors, making big edits for a story or book doesn't mean throwing out valuable work