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Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Guest-curating our latest Notable Narrative is Tom Levenson, professor of science writing at MIT and the author of four books, most recently Newton and the Counterfeiter. He chose Ta-Nehisi Coates’ “Fear…

"Why’s this so good?" No. 60: Jeanne Marie Laskas and the empire of ice

For the past few years, GQ correspondent Jeanne Marie Laskas has explored the myriad behind-the-scenes lives that help make our first-world reality what it is today. To borrow a couple…
Viewfinder: We need to talk

Viewfinder: We need to talk

Let’s talk about why we’re not talking, shall we?I’ve noticed a recent video journalism trend against treating the audience to a bit of narration. Yes, I said narration: the stuff…
"What's on your syllabus?" Narrative professors on what stories and books they assign

“What’s on your syllabus?” Narrative professors on what stories and books they assign

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for…

“Why’s this so good?” No. 59: Dan Barry and the Indiana crow patrol

Dan Barry peddles in the petits dramas and crossroads that ordinary people meet day to day. Some of his best "This Land" columns for the New York Times suggest items…

Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

We chose Erin Sullivan’s story about a 9/11 survivor as our latest Notable Narrative for the usual reasons − interesting characters; strong, memorable writing − but also because it contained the watermark of a takeaway…
New Niemans and their stories: Meet the Class of 2013

New Niemans and their stories: Meet the Class of 2013

The first week of fall term ends today at Harvard, and the Nieman Foundation's newest class of fellows is settling in. The Nieman fellowship, which next year will celebrate its…

“Why’s this so good?” No. 57: Joan Didion on dreamers gone astray

In 1977, Joan Didion told The Paris Review that she always kept in mind one line of poetry, from T.S. Eliot’s “Four Quartets”: “at the still point of the turning world.” I don’t…

Michael Kruse and the woman who disappeared in her own home

In July 2011, Michael Kruse of the St. Petersburg Times (now the Tampa Bay Times) wrote a haunting story about the “disappearance” and death of a woman named Kathryn Norris. He did it…

“Why’s this so good?” No. 56: Nora Ephron and the thing about breasts

Nora Ephron was a writer of many gifts. She was fearless. She was blunt. She was dazzlingly perceptive. She was writing at the right time. Her connections were fascinating. She could…