Search results for “writing the book”

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"Why’s this so good?" No. 79: Joan Didion, Hemingway, and mathematically musical writing

Joan Didion finds herself counting syllables.If this is part of her brilliance, and it is, it's largely because of who she is as an observer; meticulous but detached, intimate yet…
Pinned: Dan Zak, 40 Towns, Chimamanda Adichie, TED Radio Hour, writing advice, Walter Lippmann

Pinned: Dan Zak, 40 Towns, Chimamanda Adichie, TED Radio Hour, writing advice, Walter Lippmann

Pinned this week week for your storytelling pleasure:Highly recommended: In schools, the complexity in assigned reading is dropping, NPR reports: “A century ago, students were being assigned books with the complexity of…
7 great reads: this year's ASME finalists in feature/profile writing

7 great reads: this year’s ASME finalists in feature/profile writing

Awards season continues with the announcement of the American Society of Magazine Editors’ finalists for the National Magazine Award. The organization this week honored 62 publications in 23 categories, with winners…
Reporting and writing "Never Let Go" -- inside Kelley Benham French's remarkable series

Reporting and writing "Never Let Go" — inside Kelley Benham French’s remarkable series

Kelley Benham French’s “Never Let Go,” about the extremely premature birth of her daughter, Juniper, was included in Storyboard's Best of Narrative list for 2012, and our final Notable Narrative of the…
"The Power of Storytelling," Part 3: Starlee Kine on story forms, Mike Sager on suspending disbelief and Alex Tizon on writing your own story

"The Power of Storytelling," Part 3: Starlee Kine on story forms, Mike Sager on suspending disbelief and Alex Tizon on writing your own story

In Part 2 of our recap of Romania's "Power of Storytelling" conference on narrative journalism, Pulitzer winner Jacqui Banaszynski wrote a short essay about why she and eight other North American…
"What's on your syllabus?" Narrative professors on what stories and books they assign

“What’s on your syllabus?” Narrative professors on what stories and books they assign

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for…
Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

We chose Erin Sullivan’s story about a 9/11 survivor as our latest Notable Narrative for the usual reasons − interesting characters; strong, memorable writing − but also because it contained the watermark…
"You will always have work, and it will be the best kind of work" -- Richard Rhodes on writing (Mayborn 2012, vol. 2)

"You will always have work, and it will be the best kind of work" — Richard Rhodes on writing (Mayborn 2012, vol. 2)

Richard Rhodes, the Pulitzer-winning author of The Making of the Atomic Bomb, and of 23 other books, delivered one of the keynotes at this year’s Mayborn Conference for Literary Journalism.…
Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

If you were following the activities out of Grapevine, Texas, last weekend you might’ve seen tweets like this one:And this one:And these:Peter Simek of D magazine recapped this year’s Mayborn Literary Nonfiction…
Michael Mooney on trauma detail, his reading partner, the internal critic and his "I ♥ (Vince Young)" notebook

Michael Mooney on trauma detail, his reading partner, the internal critic and his "I ♥ (Vince Young)" notebook

We’ll be talking to Michael Mooney again soon about a small body of his recent long-form journalism, but today we give our attention to “When Lois Pearson Started Fighting Back,”…