In Part 3 of our recap of Romania’s “Power of Storytelling” conference on narrative journalism, radio producer Starlee Kine talked about story forms and themes; Esquire‘s Mike Sager talked about listening, and about suspending disbelief; and Pulitzer winner Alex Tizon talked about writing … Read more
The Hurricane Sandy storylines are still unfolding, but one thing became clear on Monday as winds and water overtook New York City and New Jersey in historic proportions: Digital media deepened the transformation of the disaster narrative. Here’s some of what’s … Read more
The day I left Bucharest, the International Herald-Tribune ran a front-page story about the shambles that is Romania. After three visits there in three years, I can tell you that it is, indeed, a mess. Communism is lifted and people … Read more
Early this month, an all-star pack of North American storytellers flew halfway around the world, to Romania, to talk about narrative journalism. They took the stage before a sold-out audience and one by one talked about stories. They got into fear, … Read more
There is a good reason tales of true crime make for great magazine writing. Or good procedural TV shows and movies. It’s because the best stories of unsolved murders, missing persons, or outrageous heists have the ring of fiction. They … Read more
Our latest Notable Narrative is “Stowaway,” an interactive comic, published by The Atavist, that tells the story of a young Ethiopian boy, “Fanuel,” who made his way to the United States via human trafficking and perseverance. The writer … Read more
To hear the novelist Junot Díaz talk about writing is to have your mind augured open to new ways of processing the human experience and to feel swept up in the poetics of the … Read more
There’s a lot of great work out there right now, people! Here are some of the stories and storytellers who’ve caught our attention lately — and why. Highlights: a Mexican cemetery for drug lords, a near-death experience in a bullring, a … Read more
The New Journalism of the 1960s and 1970s – by Tom Wolfe, Hunter Thompson, and others – made the biggest collective splash in recent American nonfiction, and certainly enlarged our idea of what the genre could do. The best of it may endure, but, 50 or 100 years from now, will people still be enthralled by Thompson’s psychedelic ramblings or the early Wolfe’s strings of italics and exclamation marks? More lasting, I think, as a grand pointillist mural of our time and place as expressed in the lives of an encyclopedic range of people, will be the work of John McPhee. Read more
Guest-curating our latest Notable Narrative is Tom Levenson, professor of science writing at MIT and the author of four books, most recently Newton and the Counterfeiter. He chose Ta-Nehisi Coates’ “Fear of a Black President,” from The … Read more
