[Editor’s note: This essay first appeared on transom.org, “a showcase and resource for new public radio.”] Dear Transomistas, It was daunting to have Jay Allison’s invitation to be a guest on Transom.org, because I’m no insider to radio production. I … Read more
This piece is a good example of how to write about emotional topics without mawkishness or sentimentality. A woman has lost her husband; she must now face the challenges of hanging onto her farm and caring for her young son. Read more
For an ambitious young reporter who loved writing stories, it sounded like the assignment of a lifetime. My editor, Joel Rawson, wanted daily narratives for the front page of The Providence Journal. The idea also seemed impossible. I’d written narratives … Read more
Getting stuck next to a compulsive talker is one of the worst things that can happen at a dinner party or on a long bus ride. Even worse: the self-centered compulsive talker. What makes this experience so awful? The person’s … Read more
There are stories everywhere. Any idea could probably be a story if you had enough time and stamina, but I try to expedite the process a bit. I read whatever I can: lots and lots of newspapers, magazines, literary journals … Read more
Nazario’s reporting for this series was remarkable. She followed Enrique for part of his journey—from the U.S.-Mexican border to North Carolina—and reconstructed the rest. As part of her research into his experience, she rode seven freight trains, hitched a ride … Read more
This piece is beautifully, closely reported: We admired the scene, for example, in which baby Nick’s heart rate calms as his father caresses and talks to him. This is wonderful, real, touching detail. The piece is also plainly, unsentimentally … Read more
This piece is the work of a fine storyteller. We admire Fisher’s purposeful movement from one development to another while covering a slew of characters—often probingly, always with sensitivity and attention. She captures and isolates pivotal moments, creating a sequential … Read more
This essay is adapted from Rick Meyer’s notes for a talk at the 2005 Nieman Narrative Editors’ Seminar. Rick’s presentation was paired with Laurie Hertzel’s talk on scenes. We probably ought to declare something right away, so no one … Read more
We admired this piece in part for the way Fassihi’s use of the first person opened up her writing: She didn’t try to squeeze her insights within the more rigid conventions of standard reporting. The transparency of the piece, then—her … Read more
