I’m so excited about this series we’ve just launched on Storyboard called “The Pitch,” in which we try to demystify the unicorn of longform: the story pitch. Contributor Katia Savchuk will talk to writers and editors about their tips and pet … Read more
One of my earliest childhood memories was having cash in my hand and roaming a baqala, or a corner store, in my Middle Eastern hometown. I remember the South Asian employee who patiently watched me decide which treat to buy … Read more
“The private estate was far enough away from the explosion so that its bamboos, pines, laurel, and maples were still alive, and the green place invited refugees — partly because they believed that if the Americans came back, they would … Read more
Magazine pitches are an elusive species. You hear talk of them at journalism conferences and in freelancer forums. You see evidence of their existence in the stories they beget. But it’s rare to catch a glimpse of a specimen in … Read more
Loss was too much with us this week, as we learned of yet another mass shooting that beggars the imagination. And it’s a theme of this week’s posts, too. In India, The New York Times’ Ellen Barry writes about a … Read more
The 14th Street subway station was hot and noisy with gossip and foot traffic, with a lingering scent of something musty I couldn’t immediately identify. I could hear mediocre performers play instruments in the distance, the subway’s automated announcements weaving … Read more
Why is it great? This sentence is one of the most vivid metaphors I’ve ever read. It captures the helplessness of a life of desperation, where you can’t even jump from the window, just stare out of it, seeing the … Read more
In March, The New York Times announced that its India-based South Asia bureau chief, Ellen Barry, would relocate to London to become chief international correspondent. Accordingly, Barry loaded everything she owned onto a container ship in Mumbai that was already … Read more