books

‘Your story is worth telling’

‘Your story is worth telling’

Danyel Smith on journaling through life and work. Plus: National Book Award finalists, and the elements of a story pitch
Danyel Smith on developing taste as a writer and building confidence to tell your own story

Danyel Smith on developing taste as a writer and building confidence to tell your own story

The award-winning journalist, author, and producer shares lessons from across many forms and genres — from running Vibe magazine to writing her memoir, “Shine Bright”
Finding your book's main characters

Finding your book’s main characters

Megan Greenwell's “Bad Company,” annotated. Plus: What makes dialogue work on the page?
Megan Greenwell on holding out for the once-in-a-lifetime book idea

Megan Greenwell on holding out for the once-in-a-lifetime book idea

The author of “Bad Company” on the merits of waiting until she was seized by an obsession and couldn’t let go
The life of an author, on camera

The life of an author, on camera

Jason Pargin's second career pivoting to video. Plus: tools for organizing your reporting, and a database for freelance rates
The craft (and business) of TikTok storytelling, according to author Jason Pargin

The craft (and business) of TikTok storytelling, according to author Jason Pargin

How the writer and former Cracked editor found his voice with short-form video
Revisiting the historical narrative in a reported memoir

Revisiting the historical narrative in a reported memoir

Sara Kehaulani Goo tells a personal story about Maui. Plus: what happens when your subjects don't like your story?
Resisting the ‘tidy narrative’

Resisting the ‘tidy narrative’

Mallary Tenore Tarpley on how to ask deeper questions about illness and recovery. Plus: advice for sharpening your podcast skills
Mallary Tenore Tarpley on writing about eating disorders and navigating ‘the middle’ in recovery

Mallary Tenore Tarpley on writing about eating disorders and navigating ‘the middle’ in recovery

The journalist and author reflects on the process of writing, researching, and reporting on her own life for her debut book, “Slip”
‘A Noiseless Flash’: Hiroshima, 80 years later

‘A Noiseless Flash’: Hiroshima, 80 years later

The power of one story, and the need for many. Plus: Maurice Carlos Ruffin on “getting your protagonist out of the house”