Maria Streshinsky, executive editor of Wired, wouldn’t say the magazine has grown skeptical about the promise of technology. But compared to the optimism of past editorial regimes, she and editor-in-chief Nick Thompson, who took their posts in 2017, have … Read more
When I first saw Pop-Up Magazine in San Francisco a couple of years ago, I struggled to describe the experience to friends. What do you call a show where you might watch a singer in … Read more
Editor Kayla Webley Adler is a freelancer’s dream. She’s willing to gamble on unknown writers if they bring her a great idea. She’s written a detailed guide to pitching that she’ll share with anyone who asks. And she responds … Read more
Erika Hayasaki was an award-winning reporter for the Los Angeles Times when she left the relative security of the newsroom for the feast-or-famine world of freelancing. She has since made her way into some of the nation’s top … Read more
EDITOR’S NOTE: Erika Hayasaki’s conversation with Storyboard contributor Katia Savchuk explores what it took to earn a regular byline in magazines. She also shared the two separate pitches she wrote to land “End Pain Forever” as a cover piece in Wired. Read more
Sex robots, violence in Mosul and the plan for Queen Elizabeth’s inevitable death. Those were among the subjects of the best stories last year on The Guardian’s eclectic longform site, The Long Read. “We don’t have a simple formula,” … Read more
Mother Jones is known for its hard-hitting investigations, like Shane Bauer’s 35,000-word undercover account of working as a private prison guard in Louisiana, which won a National Magazine Award for reporting last year. The Pitch In a series of … Read more
I watched the movie “Network” again the other day and was unnerved by how accurately screenwriter Paddy Chayefsky predicted today’s media and political environment. The line between news and scripted stories blurs, and truth is an old-fashioned concept. Middle-aged journalists … Read more
Jennifer Sahn, executive editor of Pacific Standard, understands why writers sometimes feel frustrated when editors take weeks to respond to their pitches or don’t write back at all. But she wants writers to see the other side, too. The … Read more
This week’s One Great Sentence by Susan Orlean, referenced in the headline above, could be my journalism mantra. Yes, we must know about the great events and people of our time. But to closely examine an “average” person and see … Read more
