Articles

"Why's this so good?" No. 3: André Aciman on the geography of longing

"Why's this so good?" No. 3: André Aciman on the geography of longing

Any piece about New York City has a heavyweight champion to contend with – E.B. White’s “Here Is New York” – but André Aciman’s “Shadow Cities” comes out swinging. “On…

The implications of plot lines in illness and memoir

Narrative therapy uses a client’s life story to shine a spotlight on how he understands his experience. The concept of an “illness narrative” emerged not in a literary context but over…

"Why’s this so good?" No. 2: McPhee takes on the Mississippi

When the Mississippi River recently surged down through the middle of the country, a lot of people I follow on Twitter took the opportunity to point to John McPhee's marvelous 1987…
Lane DeGregory on diving into Florida dreams

Lane DeGregory on diving into Florida dreams

Our first Editors’ Roundtable of the month looked at “Diving Headlong into a Sunny Paradise,” by Lane DeGregory of the St. Petersburg Times, in which a young couple arrives in Florida…
July Editors' Roundtable No. 1: the St. Petersburg Times' snapshot between before and after

July Editors’ Roundtable No. 1: the St. Petersburg Times’ snapshot between before and after

For the first Roundtable of July, our editors looked at “Diving headlong into a sunny paradise” by Lane DeGregory of the St. Petersburg Times. The story follows a young Wisconsin…
A new way into an old story: Adam Hochschild on "To End All Wars"

A new way into an old story: Adam Hochschild on "To End All Wars"

Adam Hochschild, a longtime supporter of the Nieman Foundation’s narrative program, published a new book last month, “To End All Wars.” A former editor of Mother Jones magazine, Hochschild lives…

Words about pictures: Errol Morris’ digital script

In our latest Notable Narrative, “Did My Brother Invent E-Mail with Tom Van Vleck?,” Errol Morris rejects many of the standard rules of narrative writing.Best known for his films “The…
"Why's this so good?" No. 1: Truman Capote keeps time with Marlon Brando

“Why’s this so good?” No. 1: Truman Capote keeps time with Marlon Brando

Truman Capote’s profile of the depressive, incoherent, brilliant Marlon Brando is one of the greatest of all time. Published in 1957 in The New Yorker, it nominally takes place one evening…

"Why's this so good?" – a collaboration on the magic of long-form stories

We’re excited to announce a new feature that we’ll be rolling out next week on Nieman Storyboard. “Why’s This So Good?” will explore what makes classic narrative nonfiction stories worth…

What we’re reading: baseball, life at Disney World, and strange summer stories

A man with advanced ALS heads out for a fishing trip with his wife. A reporter goes to Walt Disney World with his children and a reefer-addicted friend.  A Korean-American…