One Great Moment

“An ordinary life examined closely reveals itself to be exquisite and complicated and exceptional, somehow managing to be both heroic and plain.”

Why is it great? This line is beautifully constructed, yes, but what stands out for me is the sentiment conveyed. It could be my journalism mantra. The sentence comes from…

“Love makes your soul crawl out from its hiding place.”

Why is it so great? For Valentine’s Day, we had to go with One Great Sentence on love (even if the holiday makes you go harrumph). This one is a…

“No single gesture would do more to demonstrate continuity and stability … “

“No single gesture would do more to demonstrate continuity and stability — to show that the government of the United States would continue to function without interruption despite the assassination…

“For what are we without hope in our hearts / That someday we’ll drink from God’s blessed waters / And eat the fruit from the vine / I know love and fortune will be mine / Somewhere across the border.”

Why is it so great? Springsteen’s eternal theme of the runaway American dream runs through this song and the entire album it’s on, the Nebraska-esque “The Ghost of Tom Joad.”…

“He longed for a past as imagined as it was real.”

Why is it great? This story was part of the late writer’s Iraq coverage that won the 2010 Pulitzer Prize in International Reporting. It captures Iraqis’ sense of loss in…

‘Tis.

Why is it so great? This is not only one of the best one-word sentences in a memoir, it’s also possibly the only one-word chapter in a memoir. And the…

“There is a time to write and a time to walk and a time to reflect and a time to act and I come unwillingly to this journal today, wanting to do something less reflective and feeling that I sometimes strip myself of my most reasonable attributes, bent over this machine.”

In August 1991, I read John Cheever’s journal excerpts published in The New Yorker. I was a 19-year-old college dropout, a waitress, and in the half hour before starting my shift,…

“For last year’s words belong to last year’s language, and next year’s words await another voice.”

This line comes from the last of Eliot’s “Four Quartets,” and it is a sometimes terrifying poem, full of fiery images like this striking one:The dove descending breaks the air…

“We were taken to the ‘Oh, My God, Corner,’ a position near the escalator. People arriving see the long line and say “Oh, my God!” and it’s an elf’s job to calm them down and explain that it will take no longer than an hour to see Santa.”

It’s hard to cull just one sentence from Sedaris’ embedded reporting on being a helper at Santaland, a place he describes as “a real wonderland” with a path taking visitors…

“I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it, the dead feeling of winter. Something waits beneath it; the whole story doesn’t show.”

Why is it great? A few weeks ago I went to an exhibit of Andrew Wyeth’s paintings in Seattle (a strange experience for someone who lives half an hour from…