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Wired's executive editor seeks stories that reveal all faces of technology

Wired’s executive editor seeks stories that reveal all faces of technology

Rejections aren't personal: “70 percent of why pitches don't work has nothing to do with the writer”
A nutcracker suite: How top journalists interpret the dance of the nut graf

A nutcracker suite: How top journalists interpret the dance of the nut graf

Editor’s note: We’re looking at the never-ending debate over what is called, in journalese, the “nut graf” — that so-what paragraph or section that pulls out of the news or…
Shining light on a "shadow" special-ed program in the Georgia public schools

Shining light on a “shadow” special-ed program in the Georgia public schools

Editor’s note: All photos are courtesy of LaToya Ruby Frazier and Gavin Brown’s enterprise for the New Yorker. The images cannot be reused without consent or permission. New Yorker writer Rachel…
Finding the brightest stars in a constellation of writing tips

Finding the brightest stars in a constellation of writing tips

Conference panels can be frustrating things. Several subject experts droning on, absorbed with the minutiae of their own work, sometimes failing to make bigger points, often repeating what other panelists…
An annotated project that "breaks the 'rules' in all the right ways"

An annotated project that “breaks the ‘rules’ in all the right ways”

EDITOR’S NOTE: While we did not annotate this project by ProPublica Illinois, we are including it in “Annotation Tuesday” because the story itself, as published, was an innovative example of…
“Everyone likes to reminisce, but no one wants to listen, and everyone feels annoyed when someone else tells a story.”

“Everyone likes to reminisce, but no one wants to listen, and everyone feels annoyed when someone else tells a story.”

There is much to consider in “The Three-Body Problem,” the first in a trilogy by Chinese science fiction novelist Cixin Liu (translated by Ken Liu). Much of it – physics,…
A "final" phone call from the wildfires inspires an unusual, intimate story written under the fire of deadline

A “final” phone call from the wildfires inspires an unusual, intimate story written under the fire of deadline

 The first sentence is treacherous: This is how I die.It stands alone, in italics – first person, no quote marks. It reads like an epitaph beneath a photograph of six…
How to crack the code of live storytelling with Pop-Up Magazine

How to crack the code of live storytelling with Pop-Up Magazine

"Ephemeral" true stories that inform, surprise and delight
How film class led to fighting wildfires which led to finding a home which led to a memoir

How film class led to fighting wildfires which led to finding a home which led to a memoir

In a full-circle illustration of the way life sometimes imitates art, screenwriting led Sarah Berns to smokejumping. Then smokejumping led to a cinematic memoir, written with a director’s eye and…
Braving the Drake Passage, swimming with leopard seals and interviewing a non-talker

Braving the Drake Passage, swimming with leopard seals and interviewing a non-talker

From the archives: National Geographic writer Craig Welch turns silent subjects into the compelling voices of climate change