Search results for “Nieman+conference+on+narrative+journalism”

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The end of the line for the Lone Ranger? A how-to guide for narrative collaboration

When The Roanoke Times “Age of Uncertainty” won Documentary Project of the Year from Pictures of the Year International, it wasn’t the narrative writing or the photography or the Web…
The future of print narratives

The future of print narratives

The following comments are taken from a talk given by Oregonian reporter Tom Hallman on September 25, 2009, at the American Association of Sunday and Feature editors. Hallman won the…

Natural Narratives

[Editor’s Note: These comments are adapted from a talk given by Michael Pollan at the 2006 Nieman Conference on Narrative Journalism.] Book by book, project by project, it’s usually hard…

Narrative Journalism Comes of Age

Editor’s Note: This essay originally appeared in the Fall 2000 issue of Nieman Reports, the Nieman Foundation’s quarterly magazine. Narrative writing is returning to newspapers. No one has added up…
Four lessons for journalists from Patrick Radden Keefe’s latest book, ‘London Falling’

Four lessons for journalists from Patrick Radden Keefe’s latest book, ‘London Falling’

The New Yorker staff writer and bestselling author speaks at the Power of Narrative conference about investigating a 19-year-old's mysterious death
‘I don’t think this is a story about resilience or hope’

‘I don’t think this is a story about resilience or hope’

Kerry Howley returns to Camp Mystic. Plus: Remembering Tracy Kidder
A Patrick Radden Keefe reading list

A Patrick Radden Keefe reading list

Boston University's Power of Narrative conference. Plus: J. Anthony Lukas Prize Project Awards
Getting the story: How 7 writers found their idea and main characters

Getting the story: How 7 writers found their idea and main characters

From the Nieman Storyboard archives: Here are the strategies journalists use to find their next big story
Telling true stories: the hardest part

Telling true stories: the hardest part

‘We're navigating in a sea of ambiguity.’ Plus: Kim Cross on expository asides, and the American Mosaic Journalism Prize
‘If you have three quarterbacks, you have no quarterbacks’

‘If you have three quarterbacks, you have no quarterbacks’

Soledad O’Brien on documentary storytelling. Plus: The Power of Narrative conference and the principles of plotting