Search results for “power of storytelling”

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Viewfinder: Video journalism that works

Viewfinder: Video journalism that works

Whenever I go out on an assignment I get a few of the same questions from onlookers who see me with my tripod and my reasonably large video camera: “What…
“Why’s this so good?” No. 52: Joshua Davis and the diamond heist

“Why’s this so good?” No. 52: Joshua Davis and the diamond heist

You could argue that a writer has no business critiquing the work of one of his closest friends. Knowing the person behind the words influences the reading experience, making it…
Narrative + investigative: tips from IRE 2012, Part 1

Narrative + investigative: tips from IRE 2012, Part 1

At last month’s Investigative Reporters & Editors conference, in Boston, hundreds of reporters attended dozens of sessions on everything from analyzing unstructured data to working with the coolest web tools and building…
Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

In “Question of a Lifetime,” our latest Notable Narrative, Arizona Republic features writer Jaimee Rose tells a moving story about her grandfather’s search for answers regarding a top-secret mission he…

“Why’s this so good?” No. 44: Robert Kurson and the blind man

My love affair with narrative nonfiction was in its early stages when I first read Robert Kurson’s “Into the Light,” in the June 2005 edition of Esquire. I was mostly…
"Why's this so good?" No. 43: "Radio Diaries" on teenage drama

"Why’s this so good?" No. 43: "Radio Diaries" on teenage drama

Boxing stories leave me cold. Like many sports stories, they seem to assume an audience of fans who will be thrilled − rather than sickened − by a narrative built on grueling workouts, bloodied…
"Why's this so good?" No. 42: Tom Hallman and timeless forgiveness

"Why's this so good?" No. 42: Tom Hallman and timeless forgiveness

Years ago, the wonderful Walt Harrington came to our newsroom and fired us up. We were at the start of a storytelling revival, trying to find our way back to craft, and…
Getting the story: Luke Dittrich and the tornado

Getting the story: Luke Dittrich and the tornado

In Thursday’s post we excerpted nice lines from the five National Magazine Award finalists in feature writing. These included Luke Dittrich’s “Heavenly Father!...,” from Esquire, about survivors of the Joplin,…
Documentary photographer Lori Waselchuk's "Grace Before Dying" and the ethics of narrative activism

Documentary photographer Lori Waselchuk's "Grace Before Dying" and the ethics of narrative activism

Lori Waselchuk describes herself as a “documentary photographer and arts activist.” We’ve wanted to talk with her for a while about her latest project, “Grace Before Dying,” which focuses on…
Audio danger: transgressive voices

Audio danger: transgressive voices

[The fourth installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]Great audio, as I’ve previously written, transports us to an imaginative place somewhere between the…