Search results for “so you want to write a book”

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"Why’s this so good?" No. 48: Burkhard Bilger noodles a catfish

The story I want to tell you about, “In the Monster's Maw,” was published in 1997, and that's important. Because in 1997, when Burkhard Bilger went out to Oklahoma for…
Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

Jaimee Rose on a personal mystery, guiding forces, the importance of fripperies and the meaning of life

In “Question of a Lifetime,” our latest Notable Narrative, Arizona Republic features writer Jaimee Rose tells a moving story about her grandfather’s search for answers regarding a top-secret mission he…
Justin Heckert, CRMA Writer of the Year: inside his winning stories

Justin Heckert, CRMA Writer of the Year: inside his winning stories

Every spring, the City and Regional Magazine Association names a Writer of the Year, and twice the organization has handed Justin Heckert that honor. Heckert won recently for Atlanta magazine…

“Why’s this so good?” No. 45: Adam Sternbergh on … walking

Let’s start with the headline. Sometimes, when I am trying to headline a piece and my heds are getting more and more punny and convoluted, I gather myself and remember…

"Why's this so good?" No. 42: Tom Hallman and timeless forgiveness

Years ago, the wonderful Walt Harrington came to our newsroom and fired us up. We were at the start of a storytelling revival, trying to find our way back to craft, and…
Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

We chose Wright Thompson’s ESPN.com piece “The Kid Who Wasn't There” as our latest Notable Narrative because the story added a chilling layer to the odd life story of Guerdwich…

"Why’s this so good?" No. 40: Roy Blount Jr. lets Jerry Clower talk

Over the years Roy Blount Jr. has written a number of superb magazine articles, one of my favorites being “Knock ’im Out, Jay-ree!” a profile of the great Southern raconteur…
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…

“Why’s this so good?” No. 36: Alice Steinbach and one boy’s vision

I wish I had come to this assignment when Alice Steinbach was still alive. I could have thanked her one last time for writing “A Boy of Unusual Vision,” a…