Search results for “the pitch”

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A war correspondent and mom faces new fears in the early days of coronavirus

A war correspondent and mom faces new fears in the early days of coronavirus

Coronavirus is no longer something happening somewhere else — no matter where you are — or something that will soon become yesterday’s news. As of this week, cases have been…
Gratitude Notes (#16): "The answer is within you"

Gratitude Notes (#16): “The answer is within you”

Editor’s note: This month, we bring you brief reminders from pros around the world about what or who helped them forward in their careers.I’m grateful for a hypnotherapist in my…
"Truth is whatever you can get enough people to believe."

“Truth is whatever you can get enough people to believe.”

You can’t turn around in the U.S. these days without bumping into a cry of “Fake News!” or a news story decrying the same. Not that spin is a modern…
Learning from what seem the unkindest cuts

Learning from what seem the unkindest cuts

There were two things I knew: I wanted to write a story about how heartburn can kill you, as it did my father, and I wanted to write for Undark,…
Wired's executive editor seeks stories that reveal all faces of technology

Wired’s executive editor seeks stories that reveal all faces of technology

Rejections aren't personal: “70 percent of why pitches don't work has nothing to do with the writer”
How to crack the code of live storytelling with Pop-Up Magazine

How to crack the code of live storytelling with Pop-Up Magazine

When I first saw Pop-Up Magazine in San Francisco a couple of years ago, I struggled to describe the experience to friends. What do you call a show where you…
Finding a narrative in "our most urgent national conversation": the one about guns

Finding a narrative in “our most urgent national conversation”: the one about guns

 There are known news conventions: something happens and someone writes about it and somebody publishes it and then maybe people talk about it. There are known narrative conventions: a relatable…
Erika Hayasaki on the reality of landing a big freelance story

Erika Hayasaki on the reality of landing a big freelance story

In the second of a two-parter, the former LA Times reporter scrutinizes the first pitch – and then the revision – that earned her a cover piece in Wired
Erika Hayasaki on how to leave the newsroom and kill it as a freelancer

Erika Hayasaki on how to leave the newsroom and kill it as a freelancer

EDITOR’S NOTE: Erika Hayasaki’s conversation with Storyboard contributor Katia Savchuk explores what it took to earn a regular byline in magazines. She also shared the two separate pitches she wrote…
At the Guardian's Long Read, no rigid formula or geographic limits

At the Guardian’s Long Read, no rigid formula or geographic limits

The editor's advice: Study what's been published before. Be authoritative, fresh and "arresting." Dare to send a (good) cold pitch