Search results for “top storyboard posts”

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“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

Freed from the captivity of home cookery and the rarefied practice of restaurant criticism, food is now a legitimate lens for thoughtful cultural journalism. It’s also a massive revenue generator…
October 6, 2011

What we're reading: surrendering revenge, little girl lost, and a town that disappeared

Required Storyboard reading has been light on humor of late, but there’s some wryness mixed in with the sorrow in Justin Heckert’s look at what nature did to Vaughn, Ga.…
October 5, 2011
“Why's this so good?” No. 13: Gene Weingarten peels the Great Zucchini

“Why’s this so good?” No. 13: Gene Weingarten peels the Great Zucchini

The Great Zucchini has a secret. And in “The Peekaboo Paradox,” Gene Weingarten exhumes the history that haunts the most popular children’s entertainer in Washington, D.C. The story, which ran…
September 27, 2011

September Editors’ Roundtable No. 1: The Virginian-Pilot on saving soldiers in Afghanistan

Our first Roundtable of September examines “A Chance in Hell,” by Corinne Reilly. Visiting a combat hospital in Kandahar, Afghanistan, Reilly shows the endless challenges of trauma medicine just a helicopter…
September 15, 2011
“Why’s this so good?” No. 11: Tom Junod on Mister Rogers and grace

“Why’s this so good?” No. 11: Tom Junod on Mister Rogers and grace

When I was living in New Orleans during Hurricane Katrina and came back sometime later to see what was left, one of the things I found was the November 1998…
September 13, 2011
“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

What do Silly Putty, Superman and Marilyn Monroe have to do with architecture?Short answer: Nothing.Long answer:  Herbert Muschamp. In 1997, New York Times architecture critic Muschamp traveled to a then…
August 23, 2011
“Why's this so good?” No. 8: Katherine Boo takes on the ties that bind

“Why's this so good?” No. 8: Katherine Boo takes on the ties that bind

I only saw my great-aunt a few times – she lived far away – but in my family, she was kind of a legend. She wore purple every day, and kept a stash of…
August 16, 2011

“Why’s this so good?” No. 4: W.C. Heinz on Air Lift, son of Bold Venture

On a rainy afternoon in 1949, W.C. Heinz watched a beautiful young horse break its leg and then get shot in the head. And then he sat down and wrote…
July 19, 2011
"Why's this so good?" No. 3: André Aciman on the geography of longing

"Why's this so good?" No. 3: André Aciman on the geography of longing

Any piece about New York City has a heavyweight champion to contend with – E.B. White’s “Here Is New York” – but André Aciman’s “Shadow Cities” comes out swinging. “On…
July 12, 2011

Words about pictures: Errol Morris’ digital script

In our latest Notable Narrative, “Did My Brother Invent E-Mail with Tom Van Vleck?,” Errol Morris rejects many of the standard rules of narrative writing.Best known for his films “The…
June 29, 2011