From the Editor Making ‘a documentary that you could dance to’ The story behind Peabody winner ‘Fela Kuti: Fear No Man.’ Plus: Is nonfiction book publishing broken? April 24, 2026 Mark Armstrong The art of the micro-narrative How Daniel Troppy started creating ‘love letters’ on Instagram. Plus: the Goldsmith Prize for Investigative Reporting April 17, 2026 Kim Cross ‘Stay long enough to be boring,’ and other notes from the Power of Narrative conference Lessons for journalists from ‘London Falling.’ Plus: finding the heart of an audio story April 10, 2026 Mark Armstrong Using diaries, photos, and films to create narrative magic The story behind Sophie Elmhirst’s bestseller, ‘A Marriage at Sea.’ Plus: Joi Lee on returning to the U.S. to cover ICE April 3, 2026 Mark Armstrong ‘I don’t think this is a story about resilience or hope’ Kerry Howley returns to Camp Mystic. Plus: Remembering Tracy Kidder March 27, 2026 Mark Armstrong A Patrick Radden Keefe reading list Boston University's Power of Narrative conference. Plus: J. Anthony Lukas Prize Project Awards March 20, 2026 Mark Armstrong How Stephen Rodrick prepared for his story about ICE occupying a small town Plus: Audio Flux wants your (short) story, and Tom Junod on publishing his first book at age 67 March 13, 2026 Mark Armstrong Bringing your values to your reporting and writing Irin Carmon annotates her book on the lives of five pregnant women post-Dobbs. Plus: More awards and fellowship deadlines March 6, 2026 Mark Armstrong Roy Peter Clark on storytelling lessons for — and from — students How to write a college admissions essay. Plus: National Magazine Award finalists February 27, 2026 Mark Armstrong Tricky questions with using second person in storytelling An Atlantic essay raises questions about point of view. Plus: Tricia Romano on how to write an oral history February 20, 2026 Mark Armstrong 1 2 3 4 5 6 7 8 9 … 22 Next
